Friday, May 06, 2011

TO CUT OR NOT TO CUT? THAT IS THE QUESTION.


To cut or not to cut?  And what to cut?  This is the dilemma of the editing process.  I knew when I started that I had a lot of cutting ahead of me and I've been doing just that -- eliminating whole chapters and many, many paragraphs, excess words, repetitions, excessive descriptions and anything at all that seems to slow down the pace.  Still, I am only half way through the novel and I am already way too many pages over the required amount.  Part of this is because I am using a different font, double spacing instead of 1 1/2 spaces and dropping chapter beginnings down 1/3 of a page. 

The dilemma is in trying not to cut parts that are important to the story.  Some places I have left intact and will have another go-through once I'm finished this first round.  Then I intend to have other eyes peruse the work to see what they suggest.  Trouble is, I don't want to chop too much and spoil the story line.  I think historical novels need to be fairly meaty and I did a thorough job of research locations and developing characters that are realistic and believable.  So I don't want to interfere too much with this.

There have been moments when I felt a bit discouraged and wondered if the novel is as good as I thought it was.  But that is probably something all of us go through.  Then again, there are passages that are just brilliant and I can hardly even remember writing them.  Of course, those are the ones that definitely stay untouched. 

I'd love to hear from other novel writers about what they've gone through in regards to the final editing of their manuscripts.  I have Elizabeth Lyon's good book "Manuscript Makeover" which has been most helpful.  But about now I need someone to cheer me on!







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Saturday, April 16, 2011

Tip-toeing Thru the Tulips and Lots of Other Stuff


That's a photo of me posed in the tulip patch at Agassiz last Spring.  This year Spring is a little late so I haven't been out to see the tulips as yet.  But I've been wading through lots of other stuff, mainly writing tasks.

The editing on Shadow of the Lion is going well although I can see there'll be a couple more run-throughs before it's agent ready.  Mainly the cutting is what will be the most difficult task.  I'm chopping as much as I can for now but it's going to need more, for sure.  And that will be more difficult because it will be more of my precious words that go to the cutting room floor!

I'm also trying to catch up with travel writing and have just completed another story with two more ready to polish off this weekend.  Still a lot of ideas to work from and I have again fallen behind with blogging.

This week I had the privilege (again this year) of being part of the Human Library at Moscrop School.  This is an amazing concept born in the States because of bullying.  I think Moscrop is the only school here (or the first one) that has held this very worthwhile event.  A number of people of various life-styles are invited to participate as 'books' in the library.  My book title was "Living the Writer's Life" and "So You Want to be a Writer?"  I think next year (if they invite me) I'll add "Senior Citizen Solo Traveler".

There were all kinds of people from a woman cop, a trans-gendered person, gays, a guy living with HIV, a young man who was a swimming champ and ended up having open-heart surgery, someone with MS, a lesbian mom etc.  The school classes choose a 'book' to investigate and come to your table to chat.  They ask questions and you answer.  It's all designed to eliminate prejudices and misconceptions.
The event lasted all day from 8.30 am to 3.30 pm so it was a long day and rather tiring.  I got home just in time to head out to teach a night school class so I was pretty exhausted by the end of the day.

Then yesterday I had a tourism event which was fun although when I was heading out for it I had some misgivings and almost turned around and came home.  I have been feeling pressured and somewhat burned out lately with all the classes I teach, the hours of editing and trying to get new stuff written.  Yesterday I started out with the gym, waterfit and then a massage. After that I had a meeting with a woman about editing and publishing her book. I would have loved to stay home last night. But I went anyway and was glad I did. It was a tourism promo for Anaheim, Orange Country, California.  Lots of good snacks, endless wine and those California folk are so friendly.  I also had met a travel-writer friend of mine on the bus going there so that added to the fun.  It was held in the beautiful Seasons in the Park Restaurant in Queen Elizabeth Park, and although the weather was crappy and there wasn't a clear view of the mountains, it is still a beautiful place to be. All the cherry trees were in bloom and there were tulips and daffodils and hyacinths in the gardens making a very pretty sight in spite of the misty rain. 

Today there were more writer's events going on but I opted to stay home to do editing and  then I treated myself to lunch at a local restaurant.  Went and fetched my new passport and was thrilled to find my tax returns have been deposited in my account.  Wohoo!  Suddenly Europe seems a lot closer.





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Wednesday, March 30, 2011

OFF THE PAGE And Into the Classroom!


"Off the Page" is a program sponsored by the Federation of B.C. Writers who has a grant to send writers into classrooms (any ages of children or teens) and talk about the writer's life,  read their work, introduce kids to the life of a writer.  I've participated three times in the past and found it a most rewarding experience.  Yesterday, on my fourth Off the Page visit was, as usual inspiring and lots of fun.

I started writing between the ages of 8 and 10,  first writing plays for my classmates and for friends to perform in grandpa's back yard when we lived in Stratford. (What better a place for a budding writer, in that Ontario town with everything named Shakespearean, even the River Avon!)  When my family traveled across Canada by train after Dad came home from the war, I got interested in writing about pioneers, and later about the Biblical lands (Dad was a Baptist minister).  Then it was the Romans, and by the time I was 16 I got introduced to my hero, Alexander the Great.  I wrote stories, novellas, and plays.  I recently found a box full of these old manuscripts which I've kept.  A play about drugs in Vancouver's East End that I first wrote when I was 18 as a cautionary tale in 1953 and later reworked (without family or society censorship) was successfully produced by Theatre in the Raw in 2000.
But all during that time I was scolded for not paying attention to my school work.  I couldn't understand math and science, had no interest in it at all.  I wanted to be a writer and that was that!  And when I got my first old Underwood typewriter when I was 16 years old I was thrilled beyond words!  Now I could write like Ernest Hemingway and Tennessee Williams, my literary heroes!  My mom was always being called into the school and told that I should be spending more time at my studies instead of writing.  I nearly failed my final year of high school because I was writing my first Alexander themed novel.


Persian school boys

These days, kids are given many more opportunities and encouraged to develop their creativity.  And the Off the Page program is just one way that we writers have of helping to stimulate this interest in the written word.  My two groups yesterday were Grades 9 and 10.  I spoke to them about my early desire to write and how through the years by persevering my dream has come to fruition and now I am a full time writer.  I demonstrated the different types of writing including poetry, and with each group I did writing exercises.  For the older group I had them write about a place they loved in 50 words to get the gist of writing short for the internet.  The younger group had prompts from my Idea Jar and wrote on various subjects.  They were shy about sharing but the teachers were encouraging and believe me, there was some excellent writing displayed!  It was truly an inspiring and rewarding morning spent at Moscrop School with the fine teachers, Leanne Sjodin and Dr. Gail Joe.  I was impressed! 

I'll be going back to that school again next month to participate in "The Human Library" which I was invited to do for the second year. I will be a 'book' in the library titled "So You Want to be a Writer?" The children come into the library, choose and book and ask questions.  It's really a lot of fun and again, a rewarding experience.

It's important to nurture young talent and give encouragement to kids who have a desire to write.  And it's heartening nowadays to see that there are teachers who care and programs to stimulate this creativity.  I am proud and glad to have participated in the Off the Page and commend the Federation of BC Writers for promoting such a terrific opportunity for writers and school kids!

http://bcwriters.com/off_the_page.php

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Sunday, March 27, 2011

A WRITER'S BUSY LIFE!

Pablo Neruda's House "La Chascona"
Santiago, Chile

Between winding up my classes and catching up on travel writing, besides editing Shadow of the Lion, it seems I have not had much time for blogging, other than to add a couple of new travel blogs (sometimes using old stories!)

But here I am, unwinding on a Sunday night after a productive day topped off with two stories getting accepted for an on-line publication (EuropeUpClose),  posting another travel blog, and going for a nice long walk for some exercise.

The final edits of Shadow went very well -- the red-pencilling part.  Now I have to start working on the new file on the computer and all the little icky-picky things that are necessary to get the novel into tip-top shape.  I'm approaching it in a relaxed manner.  There's been enough stuff going on around here to stress me out, so I want to have a fresh mind each time I sit down to go over the manuscript. 

In between, I've been getting a few new travel stories written:  (1) a story about touring Pablo Neruda's houses in Chile (2) updating some old stories that haven't been published (3) catching up on writing all the other stories I've had on the back-log while busy writing for The Vancouver Guide.  Now my time is a bit more freed up and I am enjoying the change of pace, especially getting used to the more casual 'blog-style' writing. 

Pretty soon I want to start working on my old novel, but I don't want to disrupt the work I still have to do on Shadow.  Hoping to get it all ship-shape in the next month.

In two weeks my classes all start up again for the Spring session, so I have to prepare programs and hand-out material for them.  Also, this week I will be presenting at school,  attending two classes to talk about being a writer.  This is for the Off the Page Program sponsored by the Federation of B.C. Writers.  I've done it three times in the past and it was always a great experience.  And later in the month, at the same school, I'll be participating again in the "Human Library" where I will represent myself as a book about being a writer.

So my life is full.  Really, I work every day on my writing and lately have made myself take a break, so I started back to the gym, go to waterfit twice a week and on the weekend I try to go on a good long walk.  Sitting at the computer for too long is very hard on the eyes and body!

Meanwhile, I'm working on my summer plans.  In spite of the upsets lately -- the unexpected news of my apartment sale and some other sad news about friends passing -- I have decided to take charge of my life and go ahead with my plans for summer.  So this week I'll be checking in with my travel agent and applying for a renewed passport.  Time to hit the road again!


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Wednesday, March 09, 2011

HOW SERIOUS ARE YOU ABOUT YOUR WRITER'S LIFE?

This is where I spend anywhere from 4 - 8 hours a day (or more)

This blog was prompted by a recent comment made to me by another writer suggesting that the reason I wasn't accepted into a big writer's organization was that perhaps I was not considered to be 'qualified', but simply a 'hobbyist."   This really riled me, under the circumstance, when I have been working pretty well full-time as a write for the past few years. Even before that, when I worked either full-time or part-time in daycare, I was careful to spend all my extra time at the computer composing, teaching writing classes, attending workshops and marketing my work.

For years now I've kept a daily 'time sheet' to monitor the time I spend writing or in writing-related activities.  This isn't just for my own benefit, but because yearly I declare a self-employment income as a writer and in case I should be audited I need to prove that I'm conscientiously attempting to make a living from my writing.  At the same time, I've warned people who sign up for my travel writing courses and tell me "I want to make a career change", not to quit their day job.  Because chances are, especially in this day and age with cut-backs in the print markets and very little (if any) pay for on-line writing, unless you are employed by a publisher you will not make enough to live on.  I only manage by earning money teaching writing and by collecting the measly pension allotted 'retired' people.  The money I get back yearly from my tax refund is what buys my ticket for another trip.  And if I'm going to join a big writer's organization, I'm not going to pay and arm and a leg to join when I could never afford to fly across the country to their conventions or go on their comp trips.  I do belong to one local writer's organization that I find helpful and beneficial and once again this year got chosen for their Off the Page Program, to go into school and talk writing to kids and get paid for it.  The other group I belong to, the travel writers, has provided a couple of winning tickets for trips but other than their name on my business cards, not much else.

When I've tried joining this other big organization I've been told they did not accept on-line writing (at least not until recently and it all depends on the traffic on the site); they do not consider the fact I edit and publish my own travel 'zine (same reason) and don't recognize that I teach travel writing at night school (though at the moment I don't have a Travel class, just creative writing).  For the last few years I've written daily for another on-line travel 'zine (the Vancouver Guide. www.istopover.com)  and been paid fairly well for my efforts as well as having some print publications (paid) and other on-line publications (paid).  But apparently this isn't good enough and I am therefore labeled 'not qualified'.  Well, piss on that!

I went through my work (on-line links as well as print publications) just to see how many stories I've published since my very first story went into Arrival Travel & Leisure back in 1983 (for which I was paid about $150.)  I was amazed at my body of work.  Everything from shortened pieces in local free newspapers (that paid a whole $5) to my biggest achievement in a glossy magazine that got me $700. including photos.  I made this list not only for my own benefit, but because on my new website, which is to introduce me to potential agents/publishers as I start my journey trying to market Shadow of the Lion, I wanted to have a list of published work available.  It includes the work I did on the APA Insight Guide travel book of Vancouver & Environs in 1993 for which I also got paid a pretty penny and got to learn how to use a computer.

It's true, that if you want to be a writer (and especially if you expect to collect a self-employment rebate on your taxes) you need to prove you are a serious writer trying to make a living.  This means you have to be sending stories out and getting the work done.  Which is, writing more than once or twice a year or giving your work away to these publications (there are too many) who expect you to contribute your work for free while they glean benefits from their own site.  (The reason I started Travel Thru History www.travelthruhistory.com  was because I got sick of being bullied by an on-line editor who did just that.  I decided to start my own site where I could mentor new writers, pay them a small stipend and let them at least get 'rewarded' for their efforts.  No, I don't make money on my site other than what I get from the google ads.  But I find it rewarding enough to see the great stories that get contributed to my site each month and to know the thrill first-time writers feel when they see their work in print.

Besides my travel writing I do other work and recently completed a long historical fiction novel that required tons of discipline to write and many hours of research.  That has been my biggest achievement so far and it will be the biggest thrill of my life when I see Shadow of the Lion in print.  But there's still lots of work ahead, besides the final editing, the marketing process.  Meanwhile I have to get those travel stories written that I've had on hold, and plan new programs for my Spring classes. 

Writing for me IS a full time job.  I spend anywhere from 4 to 8 hrs a day at the computer and sometimes much longer.  That's not counting the time I spend at classes or going to and from classes on public transit.  And then there's my own critique group I belong to each week.  We have to produce writing for that. It helps keep you focused to belong to a writer's group and I've found my Scribblers group to be invaluable as I struggled through the long epic saga of Shadow.  Now I'm ready to start finishing that other novel I'd set aside so long ago to write Alexander's story.  It's an exciting new prospect and one that will be sure to keep me at my computer hours at a time when perhaps I'd rather be out strolling in the sun or watching TV.(The TV doesn't go on in my house until the 11.30 pm news).

Yes, my writer's life is a full time commitment, and I will not let anyone suggest to me that it's otherwise.  I know I am qualified.  My track record for publication, recognition by other writers and by those who have successfully completed my courses and published their own work tells me that.
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Sunday, March 06, 2011

REVISITING OLD SARUM

Old Sarum

Last night I took my boxes out of the storage closet and found my box of manuscripts, some of them written when I was just a teenager.  The most important one I was looking for was the manuscript of my unfinished Celtic novel, "Dragons in the Sky".  I had half finished this novel before getting bogged down and setting it aside to write "Shadow of the Lion", which at the time was intended as a juvenile historical.
"It'll only take me about a year to write," I thought.  All these years later I finally did finish it and now I want to return to finish Dragons.

Inside the manuscript folder were pages of notes I'd made during my research, in particular for the last part of the book which (yes!) takes place in Greece.  Yes, there is an Alexander connection with this story!  And I found a copy of the MSS and a note I'd written to my dear Aunt Grace who wanted to read it. 
"Dragons in the Sky" is a story about sacrifices - both the literal and personal types.  It's the story of a young girl whose life is spared for the service of the gods and of the sacrifices she makes in her life from the loss of her innocence to her maturity, and eventual motherhood when she must give up her own child in order to return to her homeland.

The story is a first person narrative, the story of a Celtic girl, Olwen, who's 'voice' I have heard from the very first time I sat on the earth mount at Old Sarum on the Salisbury Plain and knew at that instant that this was the place the story took place.  In the novel, I call it "Caer Gwyn".


Iron Age village,  St. Fagans, Wales

Last summer I visited St. Fagans Heritage Park in Wales and was thrilled to tour through an iron age 'village' much like the one Olwen lived in. Two years ago I had revisited Old Sarum although I'd like to go again when I'm not so rushed and alone.  I'd been there twice before, the first time by accident when I'd noticed a sign in the bus depot about the Iron Age hill fort, and decided to walk there.  I knew instantly, when I arrived that this was where Olwen's story began.  I went there once again a year later and spent a lot of time wandering about catching the spirits. 

Me, in front of one of the wattled huts like the one Olwen lived in.

Writing "Dragons in the Sky" was as if I was actually channelling the spirit of this girl, Olwen, who wanted me to tell her story.  Maybe her story was mine from another lifetime.  The strange thing was,  Olwen's father had come from Senghenydd (an ancient holy centre in what is now Wales).  When her mother died and her father brought her to the stone circle on the Plain and she was cared for by the Druids, and became an acolyte of the Raven clan.  I didn't know at the time, until my father told me much later when he read the first part of the novel, that my great-grandfather was from Senghenydd and had died there in a mining disaster at the turn of the century.  There were many such deja-vu kind of experiences for me during the writing of that novel.

I was worried, when I took that manuscript out of the box, that perhaps after so many years the writing would not be so good, and the story wouldn't be as interesting as when I started writing it and listening to Olwen speak.  But I started to read through it and was amazed at how her voice 'sang' to me -- the cadence of the prose and the beautiful story unfolding.

I had original written it on a portable typewriter.  Now I must transpose it onto the computer and will do editing as I go along (as well as workshopping in my critique group).  So Olwen's voice will be heard again.  And this time I hope her story is completely told!  I can hardly wait to begin again.

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Friday, March 04, 2011

Some Endings, Some New Beginnings

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The end of 2010 was exciting for me when I finally finished writing "Shadow of the Lion".  Starting off the New Year, I took a little break from the novel and continued with other writing, tried to catch up with some long-delayed travel stories, and of course my weekly writing for Planet Eye (www.iStopOver.com) which I've been doing since 2008.

In February I went on a little trip to the mountains, a lovely ski resort "Sun Peaks" and when I returned I prepared to write a special assignment story about it for Planet Eye. The day after I returned from my wonderful family holiday in the mountains, I was shocked to learn my landlord had put my apartment up for sale.  The night before, when I arrived home after my short vacation, I had marvelled at how much I loved my dear little place and how happy I have been here for the last 4 1/2 years.  Then the bomb dropped!  I have been living in limbo ever since, not quite sure if or when I will have to move, or what I'll do next.

I did get the assignment story ready for Planet Eye written and also a couple of other travel stories which I intend to market.  Meanwhile, I also began the editing of Shadow of the Lion.

The Acropolis from the Pnyx 

Today I completed Part IV,  revisiting Pella in Macedonia and Athens.  It was interesting reading back the dialogues between the new Regent and his Assembly,  the antagonist Kassandros and his crew as they plot to overthrow the Regent, and the Senators in Athens arguing about how they will get the Macedonians out of their city.  I've been enjoying my journey back to these old familiar places with the characters I grew to know so well.

I'm looking forward to travelling again and hope that the disruption of my impending move does not interfere with my plans to return to Wales and Greece this summer.

Meanwhile, my work with Planet Eye has ended after a long stint with them (since 2008) because iStopOver is no longer publishing their stories.  I will use this new 'free' time to catch up on travel writing.  And as soon as I am able to I'll dig the old manuscript of "Dragons in the Sky" out of the closet and start retyping it into the computer with the intention of finally finishing it. (I had quite working on it when I started Shadow) 

There's lots to look forward to even though I will be regretful at having to move from my cozy little apartment.  Who knows when that will be?  I just have to wait and see and anticipate a bright new beginning.

Tuesday, March 01, 2011

RED-PENCILLING MY WAY THROUGH: Another Part of a Long Journey

PELLA

My journey through Alexander's world didn't end when I came to the final chapter of the novel. Now I'm retracing my steps, red pencil in hand, this time not as a writer, but as the editor.

I've actually been making good progress.  The first two parts went quickly with not many notes or edits.  Then from Chapter 18 on it began to bog down somewhat and I was marking more parts with 'OMIT'
There are places in Part 3 where I did a lot of research and wanted to use the information which I found very interesting.  Of course now I see where it was not necessary and although I had fun writing it and developing the characters further, it did not move the plot forward and in fact slowed down the pace.

I knew from the start I'd have to cut lots of the novel as it is much to long to be acceptable, so I am able to be more critical and wield that pen like a sword cutting, cutting, cutting, slashing my way through clunky prose, bits of dialogue and internal thought that are too mature for a child's mind, entertaining passages like the Persians celebrating their New Years, which was fun to write but does nothing to increase the tension.  I'm trying to be tough as a warrior here, mowing down all those unwanted passages.

Then I got to the Interlude for Part 3 and again the action picked right up.  I thought that interlude might be too long but it is packed full of action and violence ramping up the tension full-force.  And the last scene of that interlude, with the dying Regent sets up very clearly all the conflict that is about to happen in the last half of the story.

So progress is good and I'm enjoying the process, distancing myself from it as a writer but still having fun on the journey.  And because I haven't read much of it for some time, there are always surprises, and little trips down memory lane remembering when I visited places like Samothraki, Amphipolis and Pella, and I see how my research notes for setting details etc shine through and breathe life into those ancient places.

Once I finish the red pencilling I'll start working on the computer again.  And then there's things like checking name spellings, correct terminology for the Macedonian army officers etc.  It will take me awhile yet, but I can see that it is going well and that is encouraging.

Meanwhile, I'm not doing much other writing except for some travel stories.  And one of these days when I feel it's time, I'll dig the old manuscript of Dragons in the Sky out of the box and start retyping it.
Til then, I'll enjoy my journey through Alexander's world.  I miss my old friends there!



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Monday, February 21, 2011

LIVING THE EDITOR'S LIFE


Me, reading from "Shadow of the Lion" at the wrap party.

These days, aside from some travel writing for http://www.istopover.com/ and working on some of the travel stories that I have back-logged in my files while I spent time on Shadow of the Lion,  I have begun the final edits for the novel.

I try to do a few chapters a day, red pencilling in corrections and making notations for changes or omits.
Yesterday I spent 3 hours with my critique reader going over some of the parts she has been reading for me.  She was enthusiastic about the story, amazed at the research and the character development.  And was impressed with the way I've built the tension throughout, which was good to know because in such a long saga it's hard to tell if you've done this or not.

She says she is enjoying the story so much it's hard for her to choose what I should cut.  But I know the novel needs lots of cutting so I guess that means the 'editor' (me) will have to be a bit brutal.  For now, though I'm just noting the places that probably can be eliminated.  After all the red pencilling is done, I'll start working from hard copy to computer again and set up a new file for the more polished version.

It's a bit strange being the 'editor' now, instead of the writer.  I have to admit I miss my characters and wish they were still running around in my head, but I can't let them interfere with the technical work so I've had to put them out of mind.  I think that taking a week or two break before starting the editing was helpful, as I am now more distanced from the story and can be more objective.

Today I spent several hours with an actor friend who is going over the first act script of my play about Sappho, "House of the Muses".  She has been reading and critiquing it and gave me loads of helpful hints for improving it.  Looking at the play script is different from the novel and what she has pointed out is important for me to know.  She also suggested perhaps I should take another playwright's course to workshop the script which I think would be an excellent idea. 

However, one thing at a time.  I must not get sidetracked from the work on Shadow so I am not intending to work on the play until later.  When I took the workshop at the playwright's centre a couple of years ago I didn't get any of this valuable feedback and that's why I got discouraged with it, even though I knew it was a good idea.  Now at least I know where I can begin and what to do to make it better.  That in itself is pretty exciting.

So, for now, the busy bee editor has lots to do with her novel manuscript.  But sometime before too long the writer will go back to work on new projects.  I'm quite excited about those prospects!

Oh yes, take a look at my website and you'll see a page about Shadow of the Lion.  I still have another couple of pages to add later on -- one for plays and one for travel. http://www.ruthkozak.com/


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Wednesday, February 16, 2011

WHERE AM I NOW?

My writing space

This week I have started the final editing on my manuscript of "Shadow of the Lion".  I bought a very useful book "Manuscript Makeover" by Elizabeth Lyon and recommend it to anyone who is planning to edit their novel or short story manuscript in preparation to send it off to a publisher.  Besides that, I've had someone doing a thorough reader's critique and making notes where I need to change or cut.  So far the job is going quickly. Today I already finished red pencilling Part One with very few corrections or necessary adjustments or tweaks.  It's amazing how 'polished' it was and that is because I did block editing and workshopped each 'scene' as I was writing it.

It's also interesting to go back and read 'fresh' what I had written so long ago.  Amazing, really, as some of it seems as if it came from someone else. I can't remember where I got those words or when I put them down so astutely!  I'm sure, though, that as I go through it I'll find the parts that are not so smooth and those will likely be what gets cut.  Because I do have a lot of cutting to do in order to keep the manuscript to a workable and publishable length.

I have a good team lined up - my critique reader and a professional editor and someone else who offered to do proof reading.  So that's a good start.  And already I've had a little 'bite' about it although I am not going to start the big pitch to agents just yet.  I could though, as the first 3 chapters are pretty polished.  But I still have to set it up in a new file on my computer and make sure it looks as professional as possible. And that will come next.

Pretty soon I'm going to set up a special blog for the novel where I can add links to interesting facts about Alexander and the history that I have written about in the book.  I also have an "Introduction to Shadow of the Lion" group on Facebook, so if you're a Facebooker, take a look at that!

Meanwhile, stay tuned for the next reports.  These are a different type of 'progress report' that I was blogging about before when I was still writing.  Now you'll be hearing from the Editor's Desk!




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Tuesday, January 25, 2011

REVISITING ALEXANDER'S WORLD


Alexander the Great

It's not always easy to go back to a place you left a long time ago because sometimes, when you do, you find things just aren't the same as you remembered and it is often a disappointment.  On the other hand, 'going home again' can also resurrect a lot of nostalgic feelings,  good ones as well as perhaps some unhappy memories.  When I returned to my little mountain village in Evvia, Greece, two summers ago I was very upset to find it so deserted, so changed!  Houses were shuttered.  People were gone.  Probably a lot of the elders had passed away.  It was an eerie experience wandering through that tiny place where I'd spent so much time -- my Garden of Eden.  I thought of returning last year but somehow couldn't bring myself to do it.  I'd rather be left with the memories of when I lived there part time and frolicked on the mountainside with the shepherd and my village friends.

This week I returned to Alexander's world,  the world I had created in my novel "Shadow of the Lion".  I'd finished writing it at the end of 2010 after many years of labour including reams of research,  traveling to sites in Greece and Turkey,  and spending some of that time living in Greece while I researched and wrote.  It seemed to take forever to write the novel.  People kept questioning me why it wasn't finished yet.  Of course, I'd had other projects that took up my time as well as during the first couple of years I worked full time.  But finally, it was finished, and I had said goodbye to my old friends in Alexander's world. 

It's a funny thing when you get to 'the end' of a novel.  It still hasn't really sunk in, partly because I had written the ending almost from the beginning, and as it was based on a historical time-line I knew how the story would unfold.  But it was my imagination and creative license that made the characters come alive, and having visited many of the places that set the scenes in the story,  I was really 'living' the story.  Perhaps I'm still not totally grasping that it's done.  For the first week afterwards the characters kept speaking to me until I had to silence them.  The writer's task is over.  Next, the editor will take over.

But to celebrate I decided (as I'd planned for some years) to have a 'wrap' party.  And that is coming up this weekend.  A celebration of the completion of the writing.  So I had to make a visit to Alexander's world again to choose what segments I would read to my guests as they have all been waiting to hear the story.


The Ishtar Gate, Babylon

It was interesting going back to read the early part of the novel that was written so long ago.  Scary, in a way, because your writing in the beginning may not be as good as the more recent writing.  However I was delightfully surprised to find that I was reading almost as a first-time reader would.  It had been written long enough ago that most of it was really 'fresh' to me.  And I some of it, as I read, even brought tears to my eyes! 

I decided to begin my reading for the reception at my home with the very opening part of the novel, which is set in Babylon at the time of Alexander's death, because this sets the scene and indicates the conflict.  Later, for the short reading I intend to do at the taverna party, I'll read some smaller parts describing the women in the story.  It took me a couple of days to choose which parts to read and to make sure they weren't too long.  I have read bits of Shadow in the past at various readings so I'm used to hearing it aloud.  In fact, when I first started writing it, I used to tape it and play it back, to hear the cadence of the prose. (This is an interesting experiment for writers to try.)

I'm getting quite excited about the wrap party.  A lot of people requested invitations and it's somewhat overwhelming planning how to fit everyone in, but I'm sure it will work out just fine.  And it is certainly something to celebrate!

Now I'm ready to start the final edits, which I intend to work on next month.  And when the book is finally marketed and published, there will be another grand party:  a 'launch' party!

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Wednesday, January 19, 2011

CREATING A SEMBLANCE OF ORDER

Athena


In spite of the euphoria of having finished my novel, and once the Christmas/New Years celebrations were over, planning my next moves,  the past few weeks have been somewhat chaotic.  Instead of getting terribly distracted, I've tried to create a semblance of order so that I could stay focused on my next plans.

Things were going along fairly serenely after the holiday season and I was relaxing, taking time to sort out what to do next, in order of important.  For one thing, I'm giving the novel a rest (at least, giving my brain a rest and refused to let the characters keep bugging me after that first few days.  Now I am not thinking about it so constantly other than what next?)  What next will be the editing and I have plans to begin it the weekend I go up the mountain to Sun Peaks Resort.  Yes! What a grand surprised to be invited up to the resort by my daughter and her partner to celebrate their birthdays and the visit of my grandson and his girlfriend from California.  There'll be other people there as well, as it seems they have rented a condo or something, but as many of the guests will be skiing or 'boarding I figure it will be a good time to start the editing (on the page first, before I edit the on-line manuscript which I'll do once I get home.)

Then I made plans about what to do with my writing next. Once I had preps made for my Winter classes, I knew it was time to start catching up on the list of travel stories I have yet to produce.  And I also promised myself to blog and write in my journal more frequently.  This is the writing part of the program.  I also had promised myself to get more consiencious about exercising and getting myself to the waterfit classes.  And as two of my morning groups are cancelled that frees up this important time for me.

Then, with plans all made, there was a glitch that turned things into a bit of disorder over the past couple of weeks.  First, I agreed to doggie sit with my friends dear little Pom and at that time my friend from Washington was coming up for a reunion weekend of fun.  The same day I got Nikki here, Corinne was coming here to visit, got lost on the Drive, let her dog Napoleon out for a pee, and he got struck by a car and killed.  It was a trauma like I've not seen in some time.  My friend was totally devastated to the point where she was incoherent, and once safely here (dead dog stored on my balcony) she started self-medicating herself til I thought she herself would O.D.  Meanwhile little doggie Nikki who is very elderly, wouldn't eat or drink water and was hardly able to walk or stand.  By the end of that week I sent her off to the vets who said there was nothing wrong with her.  Meanwhile, my friend's daughter flew up to take charge of her mother and we convinced Cor that she couldn't cart the dead dog back over the border but must get it cremated.  That problem solved, they finally went back home, but by then I was totally stressed out.  The care of the little doggie proved stressful as well because I was worried about her and afraid she might pass away while in my hands.  My friend (Nikki's mom) arrived back from holidays last night and from today I am trying to get back a semblance of order in my life.  You might say I have coined a new meaning to the expression "Dog Tired."

Socrates

But it doesn't end there:  Besides my dear Welsh cousin Shiela having a stroke the end of November and not responding to treatment, another close friend is near dying in hospital from pneumonia and congestive heart failure, and another very good friend who was one of our role models because of her vibrant, healthy life, had a burst appendix which damaged her bowels and is now incapacitated and probably will be forever confined to care.  It's all a huge shock and hard not to think about it and feel very depressed and upset.

I'm glad I have my writing (and classes) to distract me at times like this.  One begins to feel terribly mortal and vulnerable when friends start falling.  Fortunately I am healthy and stay active.  I absolutely HAVE to because I have to get this novel completely tidied up and marketed.  And as travel writing is part of my income, I need to focus on getting those stories written!

Hence I am trying distract myself from the stressful things that are happening around me.  Of course they are on my mind,  especially my dear friends who are in such dire straights,  but I must not let depressing thoughts take over in place of those important creative ones.  I must create a semblance of order out of all the events that have been and are happening.  There's lots of work to be done ahead of me.  I can't afford to stray off course, no matter what!



Sculpture in National Gardens, Athens



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Sunday, January 09, 2011

START, STOP & START AGAIN: How to Keep Going With Your Novel

Alexander on his horse Bucephalus, riding East to his conquest of Persia

When Alexander mounted his horse Bucephalus, and rode east to drive the Persians out of Greek territories in Asia Minor, did he imagine how long his journey would take, or how far he would travel?
Alexander's journey took ten years with many battles and several stop-overs, ending with his death in Babylon in 323 BC.  His legacy lived on for fourteen more years until the murder of his family members ended his dynasty.

The royal city of Pella, in Macedonia (northern Greece) where Alexander was born.

My journey with Alexander as I wrote "Shadow of the Lion" took just as long, involving much research (which included the first of several visits to Pella as well as other Alexander sites in Greece and Turkey).  At the time, I had been working on a Celtic novel, which also happens to have an Alexander connection, but it had become bogged down, so I changed my focus.  After a year of research I started writing the story about Alexander's little-known legal heir, Alexander IV (who uses his Persian name, Iskander, in my novel.)  "Shadow of the Lion" was intended to be a juvenile historical but after a year of writing, I realized it was too political a story to be told as a 'juvenile' and it was suggested by a published kid's book writer that I begin again and tell it the way it would work best.

Then came the more complicated part as I decided to write it in a multiple point of view. Lots more research required.  Several more trips to Greece (living there six months at a time while I researched and wrote.  note: when I first began the original manuscript I was working full time in daycare.  In 1993 I quit my full-time work so I could concentrate on my novel and during the '90's spent a lot of time living part-time in Greece, researching and traveling to Alexander sites.)  My novel begins in Babylon, at the time of Alexander's death.  It ends in Alexandria, Egypt.  I have as yet not visited Egypt and, of course, could not visit the site of ancient Babylon in Iraq, so this was part of my research.  The Persians play an important role in my novel so I also did extensive research about their culture and history.

Ancient Babylon

Alexander made several stops along his route where he established colonies.  He got as far as the Hydaspes River in India and would have pressed farther east had his men not insisted on going back.  My novel got stalled a couple of times along the way,  once when I took two years off to revise and rewrite a play that was later successfully produced ("The Street: A Modern Tragedy", 2000).  I also took breaks to do travel writing and started another play based on the life of the lyric poet Sappho which I later shelved to focus entirely on the novel. 

How did Alexander keep focused on his goal, to conquer the world and bring Hellenism to Asia?  He was possessed by his desire to keep going east and he achieved his goal by determination and skill which was undermined in the end by his manic behavior and excesses.  In writing a novel you have to be possessed by determination and a will to achieve your goal. At times (to your unwriterly friends) it might seem a bit 'manic' as you become consumed with your characters and story.   They will possess your life;  you live with them, consult with them, write about them every day, sometimes (like me) for years.  You need the tenacity of a dog with a bone to be able to not let go until you achieve your goal.  Sure, sometimes you need to take a break, step back, look at things through fresh eyes.  And sometimes doubt and resistance will definitely stand in your way.  But you have to believe in what you are doing and keep your eye on that vision. 

One thing a lot of novice novel writer's do is to work on too many different projects at one time.  Often they don't have a clear idea of where they are going with the novel before they begin, so they get easily lost along the way.  I found that once I established the 'theme' for my novel and mapped out the route (I was writing from a historical plot so knew which way I was going)it was easier to get started and stay on track. 

When I found myself being too distracted, I set aside other work I was doing (the Sappho play, for one) and decided I must focus totally on "Shadow of the Lion" if I ever wanted to get it finished.  As I am a travel journalist and also write weekly for an on-line travel magazine as well as editing and publishing my own, that meant I had to organize my time. Although I am now a full-time writer, I spend a certain number of hours a week instructing writing classes.  And there is always the on-going distractions that we are confronted with:  our day-to-day lives, social and work commitments, and at home those big distractions like the TV, telephone and Internet!

 So I asked myself what was the most important thing?  Well, my novel came first.  Any travel stories I haven't had time to write, I knew I could do once I finished Shadow.  Finishing my novel was the most important thing I wanted to do so I set the goal (for at least the tenth time) to finish it by the end of 2010.  And I did!

Now comes the editing and cutting, which is not the writer's job, but the editor's.  So I can resume my 'writer's' role and now catch up on those travel stories, blogs, and the last act of the play that I have neglected.  And once I am caught up with that I intend to resume writing the other work-in-progress novel that I set aside way back when I thought I could write the juvenile historical about Alexander's son and have it finished in a year! 

There are many challenges ahead on the road to publication, but I can begin 2011 with a great sense of achievement.  The story of the fall of Alexander's dynasty has been told.  Now it must be made available for others to read.













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Tuesday, January 04, 2011

WHAT NEXT?


Here I am with the final pages of "Shadow of the Lion" 


What to do next?  It's a funny feeling, finishing a long project like "Shadow of the Lion" has been.  Of course, it's not really over yet, because there is still the final editing/cutting, pitching for an agent and publisher.  But I have those all planned out, it's just a matter of deciding when to start the editing.  My reading critiquer has finished the first two parts, but I felt I needed a little break to clear my head before the 'editor' takes over. I have to say that the first few days after finishing, I kept on thinking about it, wanting to stop to jot down notes.  Until I finally told myself (firmly!) "Quit it! You are done for now!"
After all those years of carrying that story around in my head it has been very difficult to let it go!

Meanwhile, I have lots of travel stories to write as I set aside most of them while striving to finish the novel.  And this week I was offered a gig writing a bio story about a musician friend of mine.  Today I spent the afternoon interviewing her,  later in the week I'm going to photograph her with her blue-grass group.  At the same time I plan to do a restaurant review of the venue.  And, of course I am still producing stories (at least 5 a month -- sometimes more ) for Planet Eye (now iStopOver travel magazine) for The Vancouver Guide.  www.istopover.com  (North America, Vancouver)

Next week some of my classes start and I haven't even begun to figure out this next session's program as yet never mind sorting out handout stuff to take into the School Board office for printing.  Every once in awhile I feel really mind-boggled with all there is to do and meanwhile, the festive social events keep on happening.  I really do need a vacation!

For starters I am trying reorganize my diet/exercise program (the usual, first on the list resolutions).  And tidy up my piles of papers and accumulated junk.  Once I have a tidy work space, perhaps I'll feel more motivated to begin!



My work space (when it's tidy!)


Note: The photo of me, above, was taken by a friend who is doing a bio about me for a magazine.

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Thursday, December 30, 2010

PROGRESS REPORT # 75 : SO IT ENDS


Ptolemy Soter

Prologue: Babylon, the 28th day of Daesius (June) 323 BC
Ptolemy, companion and illegitimate half-brother of Alexander the Great writes in his journal:

'Today, the 28th of Daesius ,an ominous darkness has descended over city. Alexander is dead. When I looked at him, he seemed to be at peace at last.  There was, in his eyes, a look of calm acceptance.  I have wept for him. He was a god and man. He will continue to live, I think, forever and ever, for thousands and thousands years.

Ptolemy wrote memoirs on Alexander's campaigns.  He was one of Alexander's most faithful companions and friend,  allegedly an illegitimate half brother of Alexander.  He could have tried to take over the army after Alexander died, but he chose instead to go to Egypt and establish the city of Alexandria as Alexander had wished.  He became the first Ptolemaic Pharaoh of Egypt and his dynasty lasted for many years. (The Cleopatra that we know in the histories was from his lineage.  'Cleopatra' was in fact a Macedonian royal name.)  In "Shadow of the Lion"  he is the royal blue thread in the tapestry,  telling Alexander's story in the prologue and epilogue and appearing throughout the novel.  Although some historians saw him as self-aggrandizing,  from what I have read and researched, I saw him as an honest, loyal and honourable man.  He is one of the sympathetic characters in the novel, and the 'uncle' who Iskander (Alexander's son) sees as a savior.

It has been a long, long journey for me writing this novel.  Many stops, starts, several hiatuses when I was working on other writing (plays, memoirs and travel writing.  Even some poetry related to the story, my collection of 12 Homeric Hymns "Hymns to Gods and Heroes").  But now, at last, my journey has ended.  The telling of the tale, for sure, but there's still work for the 'editor' to do: polishing, tweaking, cutting, looking for an agent/publisher.  Still, when I wrote the end this week I felt a great sense of accomplishment.  And I have a lot of people to thank for their encouragement and assistance.  There will be a page of acknowledgements in the front of the book when it's published.

The journey started in Babylon for my characters, taking them through the Middle East, Egypt, and finally north to Macedonia.  It was a journey of almost 13 years.  Mine took longer than that, including a year and more of research before I began;  an attempt to write it as a juvenile historical which I abandoned after a year when I realized the story was too political and complex. I spent a lot of time in Greece doing research, with the help of Classical scholars, the Greek Ministry of Culture, the secretary of the Society of Macedonian Studies and many friends there and here. There were a lot of halts on the journey, conflicts, problems,  joyous times and sad times.  But now, it's done.  Do I feel relief?  Am I sad?  Well, I have had the ending written right from the beginning, so I already knew how it would end, so it wasn't quite as much of a shock to me as it might have been had it been really 'fresh' writing.  I think when I wrote the end of the epilogue I felt the impact.  But it probably won't be for a few days yet that the full realization comes over me.  It's done!  It will be strange to not be thinking about it 24/7, jotting notes down in my notebook, getting up in the night to record lines of dialogue or setting detail that I suddenly thought of.  I have been living with these characters for a long, long time.  They are real people in my mind,  just as most of them were real people in history.  So, yes, I will miss them. 

Epilogue: Alexandria, the 28th day of Daesius (June) 310 BC 
Ptolemy has received word from Amphipolis, Macedon, and writes this in his journal:

'And now Alexander’s dynasty has ended. Such is life, the way of men -- that in the twinkling of an eye an Empire can collapse. We are driven by greed to win fame and power in unrighteous ways and the more we have, the more we covet, until greed and blind ambition destroys us.’


SO IT ENDS


Funeral urn containing the remains of a Macedonian Prince(When I asked the archaeologist at Vergina, the Royal Tombs, if they might be those of Alexander IV, he said they believed so, because he (my Iskander) was the only royal boy of that age, about 14, who had died at that time.)



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Tuesday, December 28, 2010

PROGRESS REPORT #74: When You Reach the Finish Line


Silver coin,  Alexander the Great wearing the horns of Ammon
(I wear a ring made of a copy of this coin, and also have it as a medallion)

I compare the writing of this novel, "Shadow of the Lion", to a long and arduous journey.  Like running a marathon, though I've made some rest-stops along the way.  The story itself is a journey, beginning in Babylon in June, 323 BC and ending in Amphipolis, Macedonia in June 310 BC.  And that journey itself took years!

Just like a marathon runner, a writer must persevere if you want to reach the finish line.  Sometimes you might stumble and almost fall;  sometimes you get so tired you might want to quit; sometimes you lag behind and wonder if you're ever going to reach the finish line.  But you keep on persevering, in spite of discomfort, obstacle, discouragements.  And finally you see ahead of you,  your goal!

Before you set off on this long, long race, of course you need to prepare  yourself,  "get into shape", know what's in store.  Writing a novel is a long project and one that requires discipline if you want to achieve your goal and finish.  Before I began writing Shadow, I did months of research.  I already had a lot of knowledge and a great love of my subject (Alexander the Great) and I enjoy doing research  -- a kind of brain 'gym' work,  getting prepared for the big 'race'.  Sure, you sometimes make a false start and have to begin over.  I actually spent a year writing "Shadow" as a juvenile historical,  thinking it would be a short run and I'd be finished the project in no time.  Then, as I delved deeper into the history and saw how complicated the events were, I realized it was not going to work as a story for youngsters.  It was far to complex and political.  So I was advised to start over. (That first year was just a 'training run').  And so I did.  I started over and wrote it with a multiple point of view, complicating matters, but allowing me to really develop the characters and tell the story of the fall of Alexander's dynasty with all the political complexities and scheming that finally brought it to the end.  Certainly, once I established the theme: How blind ambition and greed brought down a world power, the way became clear and I was able to tell the story the way it needed to be told.

Yes, it has been a long, long journey.  But this week I finally came to the end of the final chapter.  And now, before this week is over, I should have the Epilogue finished with a bit of extra work on the Prologue, tying it all in together. 

Was I excited and emotional about reaching the finish line?  I actually had the final chapter written almost from the beginning, so I knew how it ended.  But I had to proceed slowly when I wrote the final chapter, making sure I kept the tension high and not giving away the ending.  I wanted it to have an emotional but satisfying ending and hope I have achieved that.  At least I know I have given it my personal best.  This, of course, is not the grand finale.  There will still be some edits, rewrites and cuts to make.  And I won't be completely 'finished' until I write THE END when I finish the Epilogue.  My goal is to finish it this week, before the New Year.  Can I do it?  Yes, I can!


A painting of Amphipolis with Mount Pangeion, the lake and the River Strymon
(in my research I have visited here twice)











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Tuesday, December 21, 2010

Progress Report #73: The Never-ending Task of Research

Alexander the Great on his horse Bucephalus


One of the things I always remind writers in my novel writing classes is that part of the job of the writer is also to do the research.  And if you are writing historical fiction this is no small task!  Even if you are writing fiction of any kind, make sure you know your subject and have a keen interest in it or you will soon became overwhelmed with the research that is necessary to make your characters realistic and your settings as accurate as possible.  This is even true with 'modern' settings.  For instance, if  you are writing about someone who is a nurse or a lawyer,  make sure you know what it entails to be in that profession.  Interview people who are, or read up on it.  If you are writing about a bag lady or a drug addict, you don't need to go out and sleep on the street or shoot up heroin but you must study and observe what it is to be like those individuals and perhaps chat with a few to find out.  (For instance, my play "The Street" was a cautionary tale about heroin addiction written after my boyfriend and his friends became hooked on the drug unwittingly back in the 1950's before any of us knew the dangers.  I personally saw what happened to these people when they became unfortunate addicts and as the play was set in the East End of Vancouver I knew the setting and period of time very well.) 

Writing historical fiction though, is a much more daunting project.  Again, you really need to be passionately interested in the subject you intend to write about, read everything you can about that period (including other novels), and be prepared for lots of unending work.  I was introduced to Alexander the Great when I was still in high school and spent a good deal of my last year of school researching and writing an Alexander themed novel. (Nearly failed because of it!).  There were no computers, videos, movies (other than that horrible one made during the 1950's starring Richard Burton where even the sets were phony) so I relied on library books.  Nowadays you can research on-line as well as at libraries and the sources are endless.  However, to get a real feeling of the locations, wherever possible, it's a good idea to go and visit.  Of course, when I started to write about Alexander I relied only on book research however when I eventually visited Greece many years later I was astounded to see how accurate some of my descriptions had been of locations.  For my current novel, "Shadow of the Lion", I was not only able to research in libraries and on-line, but I have some very valuable contacts who are Classical Scholars and was able to visit most of the locations in northern Greece (Macedonia) and some in Turkey.  Of course, getting to Iraq was impossible (and the first part of my novel takes place in ancient Babylon) but I at least was able to view videos and get a pretty clear idea of what it might have been like. 
Pella, the royal city where Alexander was born.

In researching my novel I have visited as many of the sites where Alexander lived that I was able to.  I got a real feeling of 'place' by doing this.  Of course a vivid imagination is also a valuable asset, however I always try to be fairly accurate in descriptions so I can get across the sense of 'being there'.
So it was a thrill to visit Pella several times. (The site of the palace is still being excavated but I was at least able to get an idea of the layout of the city and imagine it.)  I have also visited Dodoni, where Alexander's mother lived in the mountains of Epiros, the island of Samothraki where she met her husband Philip, King of Macedon and Alexander's father, and the town of Pydna where part of my story takes place where the royal family (Olympias, and Alexander's Soghdian widow and son were staying while the city was under siege).  I have also been twice to Amphipolis, an important site for the last part of my novel.  Someone said that Classical Greece is dead.  But it isn't.  Certainly there are a lot of things that are no longer there and sometimes the landscape has been altered, but when you walk among the ruins and see the lay of the land you can visualize it as clearly as it once existed.

If you are writing a more current story,  set in New York city, for instance, and you've never been there (especially if you're from a small town) you should treat youself for a visit, as New York city is an experience like no other and to capture the essence of it is part of the exciting detail you'll want to add to your story.



Mieza, the school Philip built where Aristotle taught Alexander and his Companions.

But getting the settings right is only half the battle. There's all those other details too,  like what did people eat back then?  What did they wear?  What was their mode of transportation?  How long did it take to get from point A to point B on horseback?  It's never-ending.  I seem to be always stopping to check some tiny detail.  As someone once told me,  "If you have them eating potatoes in the first chapter and potatoes didn't exist at that time, it will shoot down your credibility."  My Classical scholar friends have made sure even things like the way sacrifices were made was accurately portrayed.  And all that meticulous detail is what often makes historical fiction take so long to write.

Some tips for doing research are necessary.  I learned a long time ago to make a list of what I needed to know at that moment and only research those subjects.  It happens I love doing research and can spend far too many hours browsing books or surfing the net.  So I usually only look things up as I need to know them and keep a file with notes, photos or whatever I need to keep on hand.  Then, when you are doing the writing, use only what you actually need.  Don't bog your story down with too many details no matter how fascinating they are.  Just ask yourself, "is this necessary for the plot?"  If it isn't, don't use it.  (Sometimes, a book can be so full of meticulous research details that it becomes boring.)  Remember, you're not writing a history text, you're writing a story. So you want to keep it interesting as well as informative.









Saturday, December 18, 2010

PROGRESS REPORT # 72 : DREAMING


Lately I've been having a lot of unusual dreams.  I used to be diligent about recording any significant dreams in my journal, because often you can look back on them and 'interpret' what they possibly meant.  Sometimes dreams can be visitations from people who have passed beyond.  Other times they are reflections of our lives,  stressful periods or joyful times.  I find dreams fascinating.  Even the unpleasant, scary dreams (nightmares) we sometimes have are interesting if you try to analyze just why those frightening images came to disturb your sleep.

Once, when I was in my teens, I had one of those 'non-dreams' where you really can visualize something has happened.  In this case, my sleep was disturbed and I woke to find two men standing by my bed.  One was an oriental man, the other a tall man wearing an overcoat and fedora.  They didn't speak, just stood by my bedside grinning at me.  Of course I was frightened and I sat up and cried out.  Then they vanished.  Who were these two men?  I can still see them as clearly as if it were yesterday.
The most mysterious part is, when some years later, I told this 'dream' to a friend, she related exactly the same incident happening to her at about the same age.  She described two similar men.  Where they guardian angels?  And why did they appear?

I have often used dreams in my novel "Shadow of the Lion".  In ancient times, dreams were important and were part of the psycho-therapy used in the healing shrines.  The person who came to the shrine to seek advice was given wine or some other potent drink,  wrapped themselves in an animal skin and slept. In the morning the priest of the sanctuary interpreted their dream and give them advice.

There have been a couple of times when I had a dream but realized that dream really belonged to one of my characters.  It's important though, if you use dreams in your stories, that you use them carefully so that they meld in with the story.  You must never write a story and in the end say "Then she woke up. It was all a dream!" That's a cop-out.  So if you use dreams in your story, they must make sense as if they are a dream your character might really have, and for what reason?
 
 There are 'waking dreams' too...those moments when our mind drifts off to other worlds or fantasies.  "Imagining", while we are awake.  These moments can also be used with your characters.

Dreams can be curious, playful, wishful-thinking, memories, visitations or powerful foreshadowing.
Here's a dream sequence belonging to Roxana,  the Soghdian widow of Alexander and mother of his only heir, Iskander (Alexander IV)  She and her son, heir to the throne, are held in a fortress at Amphipolis under the guardianship of Kassandros, one of Alexander's enemies, until Iskander comes of age and can legally take over the throne of Macedon.

Roxana and Alexander the Great

Roxana  went to her dressing table and took the combs out of her hair letting it tumble loose. She sat awhile, holding her bronze mirror as she wiped the paint from her face. She was barely

past thirty and already felt like a beaten old crone. The mirror’s reflection showed her pale complexion, the tiny lines around her mouth and creasing her brow. There were dark pouches under her sad eyes. She saw herself as a dowager, not Alexander’s proud widow, mother of the future king of Macedon. All her hopes had been dashed. Alone in the silence she shed tears of remorse.

That night as she slept, a horrible vision came to her.

She sees a cavernous room with walls of alabaster and floors of black marble. In the centre is an open sarcophagus and inside it lays the corpse of a man. She sees him clearly, the serene features are familiar to her: the nose, cheeks, the coppery hair springing from his forehead, the hands folded over a shield that bears a lion’s figure. Alexander. Then she sees Iskander ascending the steps, slowly, reverently. He approaches the casket and reaches out his hand, then bends over to touch Alexander’s face, and slowly as if performing a ritual, he climbs into the sarcophagus. She sees him lying there, and now it is no longer Alexander, but her son who lays in that marble casket.

She woke drenched in sweat, her heart pounding. The dream was so real that it felt as if she had flown to Alexandria and beheld it herself.

Trembling, she crawled out of bed and bent over a basin by her bedside. A wave of nausea came over her and she retched.

Was the dream an omen?

It was a dream ….only a dream. She repeated this until the spinning in her head ceased and she felt her heart beats slow. She decided not to tell Iskander.

It was a dream, that is all, she told herself. I cannot alarm my son when he needs to keep his thoughts clear.

*  *   *

This week in my novel-writing coaching group I asked the writers to choose one of their characters and write a dream that this character might have,  then relate it to an incident in their character's life, possibly a foreshadowing.  This proved to be a very useful exercise.  Try it yourself!  Those dreams will tell you many things about your characters -- or even yourself! 











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