Showing posts with label manuscripts. Show all posts
Showing posts with label manuscripts. Show all posts

Friday, August 30, 2013

IT'S OFFICIAL!

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It's all official now. The co-signed contract has been returned to me and a few instructions including a Getting Started as A Hybrid Author document.  Pretty soon I'll get a questionnaire to fill out and will send it and photos of myself to be used on the Media Aria-CDM publishers pages.  I am impressed on how they try to promote their writers. Of course, the writer has to promote themselves too. So you can expect more blogs on the subject of SHADOW OF THE LION.

I'm so excited now as it has all become a reality. So remember this, you novice writers, DON'T GIVE UP. Keep on writing, marketing, and sending out queries. Because one day, like me, you'll  hit "BINGO" and you'll find yourself a published writer.  (And what's good about this is, it's not self-publishing which, though popular these days, is something I didn't want to do with a novel like SHADOW OF THE LION.)  www.mediaaria-cdm.com

I'll keep you posted. I'm even going to start a blog specifically about the book. So watch for it.


Tuesday, May 29, 2012

THE END OF THE JOURNEY

The Macedonian Empire of Alexander the Great, 323 BC



Very soon my manuscript of "Shadow of the Lion" will begin is journey out into the world.  It's been a long adventure that has taken as many years to complete as it did for Alexander to conquer the world.  He had many victories, no defeats, until death took him unexpectedly and suspiciously at the age of 33 in Babylon.  That is where my journey began, and it retraced his footsteps all the way back to Macedon ending in the year 310 BC. 


I've enjoyed the journey.  Being a travel writer as well as a writer of historical fiction, I used some of my research trips as an opportunity to write travel stories as well.  And I have written journals full of the details of these adventures.  My acknowledgements in the front of the novel will include thanks to the many people who helped me with my research including the Greeks themselves: the Greek Ministry of Culture, and Ministry of Tourism (who provided me with a free ticket to Greece in 1993 to complete my research), and an interview granted at the Society of Macedonian Studies in Thessaloniki.  As well, I had help from the Finnish Institute, my friend Petra who was assistant director at the time who helped me get a museum pass,  and Margaret, a friend who worked at the British School Library who granted me permission to research in their archives.  I also got a chance to research at the Gennadius Library and had help from a great many other Classical scholars and friends in Greece who cheered me on and gave me so much encouragement.


During the long process of writing the novel I was helped by my Scribblers Writing Critique Group who did as always an expert job of helping me edit and improve the text.  Without their encouragement I may have given up on it a long time ago, expect that I had this burning need to tell the story of what happened after Alexander died.  Long ago I read Mary Renault's"Funeral Games" and always felt that it was lacking, somehow, compared to many of her other excellent novels, especially "Fire From Heaven".  I had been 'in love with' Alexander since the age of 16 and inspired to write about him.  My first Alexander themed novel was written when I was in my last year of high school and that got me started on pursuing the story of his life.  "Shadow of the Lion" is what happened to his only legal heir and all the others close to him after his death, ending with the fall of his dynasty. I was lucky to live in Greece for part of the time I was researching and able to visit all of the places there, and some in Asia Minor, where the story takes place.  The rest , Iraq (Babylon) Syria and Egypt (Alexandria) I had to rely on texts, videos and lots of research to set the stage. 


As I reach the end of the task, now polishing the synopsis, I am feeling this great sense of relief and the urge to set it free so I can move on to my next project, an half-finished novel that also has an Alexander theme, which I set aside in order to work on Shadow.  This one is a Celtic novel, told in the first person, "Dragons in the Sky".  And then I am planning to write another about Alexander's mother, Olympias. That one will be titled "The Black Dove".  

I'm not traveling to Greece this summer as I usually do because I invested my money in a professional editor who has done a magnificent job of helping me fine-tune the novel.  So now I send it on it's way I hope that a publisher will pick it up and give it the publicity it deserves.  If that fails, after a good try, I'll consider self-publishing.  I know Shadow of the Lion is an excellent novel and it is almost what you would call my 'life's work'.  So it deserves to be shown to a wide audience. 

Friday, May 06, 2011

TO CUT OR NOT TO CUT? THAT IS THE QUESTION.


To cut or not to cut?  And what to cut?  This is the dilemma of the editing process.  I knew when I started that I had a lot of cutting ahead of me and I've been doing just that -- eliminating whole chapters and many, many paragraphs, excess words, repetitions, excessive descriptions and anything at all that seems to slow down the pace.  Still, I am only half way through the novel and I am already way too many pages over the required amount.  Part of this is because I am using a different font, double spacing instead of 1 1/2 spaces and dropping chapter beginnings down 1/3 of a page. 

The dilemma is in trying not to cut parts that are important to the story.  Some places I have left intact and will have another go-through once I'm finished this first round.  Then I intend to have other eyes peruse the work to see what they suggest.  Trouble is, I don't want to chop too much and spoil the story line.  I think historical novels need to be fairly meaty and I did a thorough job of research locations and developing characters that are realistic and believable.  So I don't want to interfere too much with this.

There have been moments when I felt a bit discouraged and wondered if the novel is as good as I thought it was.  But that is probably something all of us go through.  Then again, there are passages that are just brilliant and I can hardly even remember writing them.  Of course, those are the ones that definitely stay untouched. 

I'd love to hear from other novel writers about what they've gone through in regards to the final editing of their manuscripts.  I have Elizabeth Lyon's good book "Manuscript Makeover" which has been most helpful.  But about now I need someone to cheer me on!







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