Tuesday, August 31, 2010

THE WRITER ON THE ROAD

Ancient Corinth, with Acrocorinth in the Background.

I've been travelling since August 27, first to Wales then Germany and now I'm in Greece.  While I'm away I have tried to keep a focus on my writing projects.  When I was in Wales I was able to visit St. Fagan's Folk Museum which is a whole village of various aspects of Welsh life.  It included the very earliest Celtic dwellings such as would have been used in Olwen's time.  This was valuable research for me for my unfinished novel, Dragons In the Sky which I intend to resume work on after I get home and do the final chapter of my Alexander novel.

Of course, being a travel writer as well as historical fiction writer, I have been gathering all sorts of ideas for new stories everywhere I go.  And one of my first loves is visiting archaeological sites.  Here in Greece I've been going to museums as well as sites and making lots of notes, some pertaining to my Shadow of the Lion  (little details I can add for the final edits).

I actually brought that last chapter with me as I only have 1/4 of it left to write but so far haven't looked at it. While I was on the islands I was trying to write poetry because I am scheduled to be a feature reader at a poetry even after I return to Vancouver in mid September.   So  you see, I am 'at work' even though I am on holidays. And soon  you'll be getting a new Progress Report about Shadow.

Wednesday, July 28, 2010

PROGRESS REPORT #68: ALMOST, BUT NOT QUITE...

                                                                 AEGEAN SUNSET
I almost finished that last chapter, but not quite. I got waylaid and bogged down with trip preparations and I knew I wouldn't be able to do the best work on it without total concentration as it was a very difficult chapter to write. I am down to the last 1/4 of the chapter but the next part is rather complicated, so I decided the best thing to do was wait. I have printed out the chapter up to where I am working on it, and I'm taking along all my notes. So once I am quietly encamped on the beach at Naxos where I intend to park myself for a week or two, then I am certain the Muse will be only too willing to co-operate.

So I fly off on my newest adventure tomorrow (July 29) heading first for London where I will keep to my 'literary' theme but going on a historic pubs walk and maybe the Beatles walk and of course will scout out other places around old London town of interest to writers. The pub down the road from the Indian Y where I stay (I think it's called the Fitzroy) was a famous hangout for the likes of Dylan Thomas and many others.

On Sunday I'm taking the bus to Chepstow to meet my cousins and will spend that week in Caerphilly Wales. Part of that week I hope to make the Dylan Thomas tour around Swansea and environs. Then I'll be heading onward to Germany where I will meet my friend Patrick for a few days in Mainz. He's going to be my tour guide and there's lots to see there including the first printed Bible in one of the cathedrals. On August 10 I head for Athens. I'll stay there a few days to rest up and then I'm heading for Naxos with my tent, and will camp at Maragas Camping on Plaka Beach for several days. A travel writer friend who lives in Turkey is going to meet me there and I will then travel to Samos and Turkey with Inka. Back to Athens the end of August for the last 3 weeks of cavorting with my girlfriends there.

I have a copy of part of the Shadow manuscript with one friend here and have the whole manuscript on a flash disk for my friend Dinaz to read and critique. So, as I said, I will be working on Shadow while I'm traveling. Have to finish the end of the final chapter and also the Prologue (Prelude) and Epilogue (Epitasis) need to be complete but are partly done.

Because when I get back I've been invited to be the feature reader at a poetry event, perhaps I'll manage to pen some new poems too. I was recently a guest on a radio show here, Wax Poetic, and read some of my Bardic Verse and part of the Hymns to Gods and Heroes collection which tied in with a small part of my final chapter that I read. It was a big hit (and I must say when I heard the play-back I impressed myself!) so I guess I am now counted as a 'poet' although I have not really thought of myself as that.

I may post here while traveling as I intend to take in some literary sites. But you can also follow me on my travel blog.
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Saturday, July 03, 2010

PROGRESS REPORT #67: THE FINAL CHAPTER part 1: OMENS & PRAYERS

 View of Mount Pangaion

Beginning June 10,1992 (the anniversary of Alexander the Great's death in Babylon), I started a special journal to chronicle the field trips I was making in Greece to follow Alexander's path.  "In the Shadow of the Lion" covers these journies  up to July 2003, but there have been many other return visits to the sites, many new discoveries in my search for Alexander.

All through the writing of my novel, "Shadow of the Lion", I have found these on-site notes invaluable. "Being there" gave me a real sense of place, and with my research trips to archaeological sites, a sense of the 'times' and life of this incredible man and others associated with him.

There has never been much written about Alexander's son, (I use his Persian name "Iskander" to distinguish him from his father) who was born to Alexander's Soghdian wife, Roxana, a month after his death in Babylon, June 10, 323 BC.  Most of what has been written in the histories has not portrayed the women in Alexander's life as fairly or realistically as they likely were.  So much is speculation.  Many of the journals kept during Alexander's lifetime were destroyed, and the histories we know were written more than a hundred years later. 

As a historical fiction writer, getting to know Alexander's world has been invaluable in my writing his story - the story of what happened after his death leading to the destruction of his dynasty.  I wanted to give his little-known son a voice, and the women, too, who were incredibly strong women who have been maligned by the historians in many cases.  Almost everyone closely connected to Alexander, mainly his two sons (his legitimate heir and illegitimate son by his Persian mistress) his mother, sister, wives, lovers and friends were annihilated during the power struggle between his generals.

In writing this difficult last chapter, I have delved into my old on-site journal, capturing the settings down to as many details as I could find or imagine, or recorded on site.  I have been to the garrison of Amphipolis, looked down over the Strymon River delta to the sea, walked down the hillside on a route I imagined the boys would have used for their escape route. (And on that walk, saw the spiral path of a snake in the dust  - an omen?) I have stayed in the shadow of Mount Pangaion, imagined the mines up near the summit that to this day are still visible, scarring the mountainside.

Writing this last chapter has taken me back there to the very first time I saw the formidable acropolis of Amphipolis. As I walked toward it, the sky darkened and a bolt of lightening struck earthward -- an omen, for sure!  Or passing by the great stone Lion near the Nine Ways Crossing -- the lion, a funeral monument to one of Alexander's men; the Nine Ways, the place where the invading Persian king Xerxes ordered the sacrifices of nine boys and nine girls to the river god.  Another omen!

On my second trip, a couple of years later, I went right up to the ruins of the fortress, mostly Roman/Byzantine now, but there were the original stone walls, the wall the boys would scale to make their get-away.  And now, as I read through that journal (July 17, 1993) I'm back there again.  I've come full circle, and the novel is almost finished.  Just two more chapter segments to go!

Here's a little excerpt of part of this last chapter...
 
View of the Strymon River delta from Mt Pangaion

The stony trail led from the glade, up the mountainside where goats and sheep grazed, until the scrubby grass gave way to bracken and thyme. When they reached the bluff, Iskander stood looking out beyond the plain and sea. Far below, the sweeping brown curve of the river coiled around the acropolis of Amphipolis and snaked through the grassy fields toward the sea. To the west rose the mist-shrouded crests of Athos, beyond the long expanse of tawny shoreline. He turned to the east and shaded his eyes against the sun. He could see the long highway, the Royal Road, that Shah Xerxes had built when the Persians had come here, the same road his father, Alexander, had traveled on when he went east to conquer the world.
He had a dim memory of that day long ago, riding with his mother in the howdah, lulled by the rolling gait of Old Pearl. He vaguely recalled his first sight of Amphipolis’ great walled fortress high on the hill between the mountain the river. He remembered how frightened he had been and how his mother said there was nothing to fear. “It is only a hill castle guarding the seacoast and the mines on Mount Pangaion.” But she had made a sign against evil and whispered a Soghdian spell.

Orion was standing with his face upturned, his eyes fixed on the high cliffs above them. His hair shone like white-gold in the sunshine and there was a rosy flush on his tanned cheeks. “If my father was here, we could scale that rock face to the highest ridge. There’s a cave up there dedicated to Pan. Father used to climb there with my mother and he took me up there once. My mother lived on this mountain…tended sheep…She died when I was a baby … after father came home from the wars. And there…you see?” He pointed to a narrow rocky trail that led up the slope from the bluff. “That’s the mule trail that leads to the mines.”

In the distance there was the sound of men’s voices carried on the wind, like the harsh cawing of distant crows and the crack of anvils on rock echoed across the mountainside. Iskander imagined the long line of men making their perilous way into a narrow shaft in the mountain. What it was like the cold dusty depths of the mine pits? Although sometimes these past few years he had felt like he was a prisoner, at least he was not like them, shackled and beaten, forced to go down into the bowels of the earth to dig out the precious metals that had made his father’s dynasty so wealthy. Gold and silver. What gave some men pleasure was a curse to those poor wretches. And what had all that gold and silver bought for Macedon? He had been told that it had financed his father’s campaigns in the East where Alexander had found even more wealth. The quest for riches and power had driven him farther and farther away from home. And in the end, Alexander had died, so now his Companions were at war, fighting over his wealth and empire.

Orion put his arm around Iskander’s shoulders. “What are you thinking?” he asked

“Of Persia….of my father…”

“Does it make you feel sad, thinking of your father?”

“Sometimes. Does it make you feel sad thinking of yours?”

Orion took a deep breath. “I miss him. I wish he were here now.”

“If my father had not died…” Iskander kicked at a stone. “And if your father was still alive, my mother and I would not be prisoners.”

“What will you do, if Kassandros won’t return you to Pella?”

“I will find a way…”

“And I will come with you.”

“Then we must make a plan.”

They looked at each other and smiled.

“Where you go, I will go,” Orion said. He reached out and clasped Iskander’s hand.

Iskander squinted against the sun and looked eastward again. “How many stades do you reckon it is to the Hellespont?”

“Why?”

“If we got an early start – in the dark before dawn, before cock-crow – we could get most of the way there by nightfall.

“And then?”

“We could get a boat across – get new horses on the other side – ride clear down the coast to Troy or even farther, to Ephesus. Perhaps I could find Nabarzanes…”

“They’d have the hounds on us before we even reached Thrace. There’s no way we could chance going by the Royal Road. There’s staging posts along the way and day runners. No Iskander, there must be another way.”

“Mother still thinks we’ll be returned to Pella. But so long as Kassandros is my guardian …unless the Assembly deems it so …or the Diodochi order it …” He hit his fist into his palm. “Kassandros hated my father. If he has his way…” Then he tossed back his hair and shrugged. “No matter…The sea-lanes are open now so if I can get a message to Uncle Ptolemy…For now, with Castor in charge, all is well. But I am mindful of the risks and we must make a good plan, just in case.”

“Just in case!” Orion agreed. “We’ll make a blood oath…”

“Your word is all I need,” Iskander replied.

The orange disc of the sun hung suspended over the sea. Iskander glanced up at the cloudless blue sky and saw an eagle soaring eastward, toward the lands that had once been Persia’s. He became aware of the stillness, and it came to him then that this was the place the Magus had come to die. He remembered how the old man had carried the fire altar up the mountain, ignited the sacred flame, said his prayers and died, and how Nabarzanes had found the Magus lying here, his face upturned to the heavens.

He reached into his leather saddle bag and took out the wine flask and poured what was left of the wine into the earth. It was all he had to offer as a sacrifice. He still remembered the prayers he and Nabarzanes and the Magus offered when they made their orisons at the fire altar at the end of each day. He straightened, and began to sing softly in his sweet treble.

“How manifold are thy works, O Wise Lord”

The words came back to him, the prayers the Macedonians had  forbidden them to utter, the sacred words of their god, Ahura Mazdah. He sang, hesitating at first, in the sweet sounding Elamite he had spoken as a child.

“To Thee I beg with outstretched arms, Ahura. This I ask Thee. Tell me truly…”

Tears sprang to his eyes. He lifted his hands, palms up, facing the dim horizon of the East. “O Holy One, give me counsel…” He thought of the eagle. Had it been an omen? Was it the sacred eagle, Si-murg? “Gather me up in your strong wings and carry me safely to my deliverance…”

Orion came to stand beside him and put his arm around his shoulders. Iskander did not try to hide the tears that splashed down his cheeks.

“Your memories will be mine and mine yours until we die,” Orion said.

The sun had westered. The shadow of Pangaion crept beyond the shoreline and quenched the sun’s glow on the sea. They scrambled back down from the bluff, and led their ponies through the glade back to where their bodyguard waited.



* * *


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Sunday, June 13, 2010

PROGRESS REPORT #66: UP AGAINST THE WALL?

Royal Tomb, Aigai, Greece



I didn't realize that being confronted with the final chapter would be quite so traumatic. As I had already written the very last part of it, I thought the rest would come so easily. Then suddenly I found myself up against the wall! I started writing the chapter, got a few pages done and then realized it was not a chapter 'beginning' but rather it fit the ending of the previous chapter. So I sorted things out, fiddled around with a few other things, went back and did more editing, hoping to get 'unstuck'. But I'm still standing here with my face up against the wall!

Where is the Muse when you need her?

She came to me, creeping up on her silent feet, just before I roused myself out of bed this morning. An entire passage of the 'lead' to this last chapter flooded my still half-asleep brain. Did I get up instantly and write it down? No! I laid there still half in dream-land, and now I can't for the life of me remember what it was. Just a few lines. But it was just what I needed to get things moving.

I have heard other writers say that the last chapter is the most difficult. Not only are you saying goodbye to dear friends but it also has to be perfect, and not slither off into melodrama or pushing the limits of disbelief over the edge. This is a tragedy. It has a tragic ending. So that makes it even more difficult. It has to keep the tension going to the end and not get into melo-drama. There has to be a grain of 'hope' (and that will be shown in the Epilogue).

The thing to do is not to be deterred. Don't let that old 'resistance' get you down. Take a good clear look at things and make sure you know where you are going. Don't let that 'wall' stop you.

I'm thinking of going to the movie "Agora" today in hopes I might get some inspiration spending time in Alexandria where my Epilogue will take place (in the library built by Ptolemy). I'm determined to get this final chapter done before I leave for Greece on July 29.

Can't let the wall stop me!

Wall Painting, Royal Tomb, Aigai, Greece


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Saturday, May 29, 2010

PROGRESS REPORT #65: What's on Your Bookshelves?

Today I received a very special birthday gift from my friend Ingrid: Two volumes of Diodorus Siculus containing books 16 & 17 and 18 & 19, all vital to my research for Shadow of the Lion. I might still have to get 1 more volume to complete the information I need to have on hand.

The above photo is one of my bookshelves containing research books. I have another one in my bedroom. So these two new books, green hard covers written in both Greek and English, will find their new home on the shelves beside all the other books I have about Greek history, namely Alexander the Great and Macedonia.

I am working on the final chapter. Today I got two pages written and I have lots of notes. But I really need to contemplate a bit and get down deeper into the narrative. I'm just playing with it right now, still not 100% sure of if I'm on the right track.

This week I have been reading "Bird by Bird" by Anne Lamott which I have found interesting and inspiring. This plan of approaching your work 'bird by bird' has helped in sorting out how to begin this final chapter and what it should include. I do what she says, take a deep breath and focus on one tiny picture at a time. It seems to work!

So, my intention is to write all weekend and so far I didn't go outside once today (the rain helped) and I stayed pretty well focused. Now I'm taking a wee break from Shadow and tonight I'll study some Greek (brushing up on my vocabulary for this summer's trip) and I'll write another Planet Eye story for the Vancouver Guide. I just posted a couple of others and was pleased to learn the editor is going to use a Kuala Lumpur story I'd written and submitted as a feature (which means extra pay!) I can submit stories other than local ones and intend to do that as I have a lot of previously published work that can be easily converted and shortened and resubmitted.

If the rain stops, tomorrow I'm planning a nice long sea-wall walk which I find helpful when I'm working through new material for the novel. I might even have a picnic!

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Saturday, May 22, 2010

PROGRESS REPORT #64: THE FINAL COUNTDOWN

Alexander, on Bucephalus

I can hardly believe that I am at the final countdown, the last chapter of this long saga about the fall of Alexander the Great's dynasty. Of course, now I've reached this last chapter I'm encountering a lot of 'resistance'. Partly due to lots of distractions such as my classes, editing other people's manuscripts and writing for Planet Eye Traveler. But I'm hoping now that it is a long weekend here, to get some time to catch up and at least get this last chapter drafted out.

Besides the final chapter, I have a bit of work to do on the Prologue and Epilogue but both are partially written.

It has been a long, long journey and it's hard saying goodbye to the people I've grown to know so well. And what makes the final chapter difficult is its tragic ending.

In the previous chapter segement, I bid a sad farewell to one of my favorite fictional characters, Nabarzanes the Persian Court Advisor. He's finally left his long exile and is heading back home to Babylon.

Here's a short segment:

The next morning, as the dawn reddened the eastern sky, Nabarzanes left Ephesus. The city was silent, the streets still hidden in shadows save where a lamp was lit above a door. He had dressed in menial clothes, a homespun tunic and trousers tucked into his soft leather riding boots. He wore no jewelry to display his Persian wealth. The plain clothes disguised him as a travelling merchant, but there was no way to hide that he was a Persian with his ivory skin and sable hair. He travelled light, a goatskin wine bag, a flas of water, a few almond biscuits and dried figs and a small bundle of his personal possessions. What he'd need for food would be provided in viallages along the way. By day he would ride along the King's H ighway, mingle with other wayfarers. By night he would sleep among soldiers who guarded the byways. The Royal Road was well travelled, the craggy heights guarded by ancient fortresses, some that had been repaired by Alexander when he had passed that way years before. There would be caravans on the road, merchants and other travellers making for theports: Phoenicians with blue dyed beards, bejeweled Karians, slaves from Africa bare to the waist, their skin sleek as ebony. Soldiers, Persian merchants, veiled women carrying burdens n their heads trudging beside the donkeys their menfolk rode. Shaqal's long stride would cover the miles quickly down the coast, and across Syria to the Babylonian border, but it would be a good few months or more before he would reach Babylon.

He nudged his heels against Shaqaql's flanks to spur his horse forward, down the hill to the Street of Marbles, south out the city gate.

"Come my faithful steed. Speed us on our way. We're going home."





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Sunday, April 11, 2010

PROGRESS REPORT # 63 : CONQUORING RESISTANCE AND OVERCOMING FEARS





I've encountered a bit of resistance lately, and that is one point I neglected to emphasis in my blog about "Writing is Work". One thing that becomes a problem for me is when I am disrupted from my work on Shadow of the Lion because of other work (in this case, it was all the classes I was instructing as well as the great amount of work I did over the Olympics for Planet Eye Traveler (The Vancouver Guide). I became too distanced from the novel, and when I tried to return and pick up the threads, it was a little struggled getting back into the story, the cadence of the prose, and the time-frame. The disruptions also get me a bit muddled up with the sequences of events and then I have to take extra time reviewing research notes in order to get back on track. But, I persevered, and with a few days 'free' time in order to renew myself with the story and characters, I finally managed to finish another new chapter segment. One step closer to THE END.

In this segment, Iskander (Alexander's son and only heir) is challenged to attend his first boar hunt. This is a dangerous sport and because he and his friend Orion are in the company of their unsympathetic tutor, Timon, an Athenian friend of Kassandros' who has been keeping Iskander and his mother under house arrest at the fortress of Amphipolis. With them are some guards and a group of new companions who have been chosen by Kassandros. There are many reasons why this could turn out tragically because boar hunting is an extremely dangerous sport. But Iskander is a courageous boy, and confronts the danger bravely. In those days, boys were expected to have killed a boar by the time they were fourteen, and a man by sixteen. As he is the titular king, he must rise to the occasion and show his opponents that he is just a brave as his father was.

Here's just a small segment of this chapter. (Yes, I did a lot of research about boar hunts, even watched a lot of U-tube videos about it -- modern boar hunts are dangerous enough, but can you imagine how much more dangerous they were in the ancient times?)

The hunting party, twenty of them, riding light with javelins and bows, followed the mule track that threaded along by the river. Beside them, on the other side of the river, towered Mount Pangaion, its white marble outcrops gleaming above the thick dark forest. Some goats and shaggy sheep grazed on the hillside; a herd boy's piping, like the call of a wild bird, sounded from above. Timon and two of the guards rode ahead on tall horses. The boys, riding stocky thick-maned muntain ponies followed, flanked by the guards, while the hounds ran alongside yelping with excitement.

Iskander was in high spirits astride his new chestnut pony. Orion rode beside him on his shaggy sorrel. The trackway was dank and mossy with the smell of the river and the bay and myrtle that grew along the path. Ahead of them, the river poured into a shimmering lake that gleamed darkly, ruffled with frothy wavelets. A breeze had blown up sending fluffy clouds skimming across the summit of the mountain.

The boys spurred their horses and wheeled off at a gallop, hair streaming, the horse's hooves splashing along the lake shore, calling gaily to each other until Timon and the soldiers drew them to a halt and restrained the baying hounds.

"Stop your rowdy caterwauling, or you'll scare away the boars," Timon warned. "We must be wary at all times. The boars will hide out of sight if they hear you. " He pointed through the thicket a little farther along the shore where a pair of the long-tusked hairy beasts were feeding on the marsh grass.

The burliest of the guards who was well-versed in boar hunting instructed the boys to approach stealthily. " Be careful. Remember what I have taught you. Have your knives handy to protect yourselves. If one of them is speared, keep away in case it revives. Boars have razor sharp tusks and a wounded boar will turn and charge."

He urged the boys forward in order of rank, ordering Iskander to take the lead. "Your father, Alexander, always took the first boar," he explained."It is your right."

Iskander crept through the brush toward the feeding animals, crouching low with his javelin poised. He could smell their stench and was close enough to see their coarse black bristles. The dogs began to bark frantically and raced past him, cornering one of the beasts as the other dashed into the thicket its loud squeals sending a pricking down his spine. He heard the cornered boar squeal and saw it lunge at the dogs. Behind him he heard Orion yell, "Watch out, Iskander! Aim for his shoulder!"

There was a chaos of loud yelps and shrieks as the boar tossed one of the hounds into the air and charged towards him. Iskander poised with his throwing spear, leveling it as he peered about waiting for the boar to rush out of the thicket. He remembered everything he had been shown about boar hunting, so when it lunged from the underbrush, he ran towards the charging animal, aiming the javelin at the vulnerable spot on its shoulder. He threw the spear with all his might and yelled, a shrill high ptiched yell like a battle cry. He could see its little red eyes, blazing with anger as the javelin blade struck. The boar grunted and charged straight toward him. He didn't know in that moment what he would do next, or if he expected to die. He heard Lakis shout, felt the thud as he was jostled and tripped into the boar's path.

Suddenly Orion was beside him, shoving him aside. He felt a sharp, burning pain scorch his thigh and fell backwards. Everything dazzled in his vision. When he opened his eyes again he was lying on the ground, dazed, his stomach heaving with nausea. The boar lay nearby, its legs still kicking in the death throes as the dogs circled cautiously, sniffing and wimpering.

A gabble of voices surrounded him: shouts of praise and others concerned for his well-being.
"What pluck!" "Such a swift kill!" "Are you alright, Iskander?"

He stumbled to his feet, still shaking. Blood gushed from a gash on his thigh where the boar's deadly tusk had grazed him. One of the guards knelt beside him and bound the wound with a rag. "That'll be your first battle scar, boy! Wear it proudly. It was a good, clean kill."

Iskander swayed unsteadily, feeling the blood drain from his face. He was aware of Orion yelling at Lakis who was bent over the boar tugging at the javelin.

"You pushed him! He might have been gored to death!"

Lakis looked around and retorted:" The boar charged at him. I was only trying to get him out of the way."

"You almost had him killed!" Orion shouted. He turned to Iskander, his cheeks flushed with anger. "Are you alright, Iskander? You had the kill, but Lakis interfered. He pushed you straight into the boar's path. You might have been killed."

Timon strode over, glaring under his thick brows. "What's this?" When he saw the blood on Iskander's leg he yelled, "Foolish whelp! What did I tell you? You could have got yourself killed!" When Orion protested Timon pushed him aside and put his arm around Lakis' shoulder. "Never mind, Lakis. Good boy! You did what was right -- saved him from a goring."

The other boys and some of the guards crowded around. "How lucky, he only grazed you leg! He killed one of the hounds."

"Did you see the length of those ivories? A mean beast, and a big one too!"

"You should be proud. A boar on your first hunt!"

One of the soldier's patted his shoulder. "It was a good, clean killing, boy! It would have made your father proud!"

Iskander accepted their compliments with good grace, but he heard the tallset boy, a fair-haired Illyrian, whisper to his companion: "The way he took that boar...his first one...do you suppose it was...?"

The other boy, whose father was a rich landowner from Thessaly, cocked an eyebrow. "He's the titular king. Of course it was set up for him! It wouldn't do for one of us to kill our first boar before Alexander's son got his!"

Orion, had overheard them, and dared to speak up. "Of course it was set up! It was meant to kill him!"

"Who can prove it? He tripped and fell, that is all!" the Thessalian boy retorted.

Iskander studied the faces of his companions. He saw Orion give him a secretive glance and heard the confused whispers of the other boys. Orion's accusation to Lakis resounded in his head: 'You almost had him killed!' He had counted too much on the protection of the guards who had always befriended him. He had even trusted these new companions. But now he wondered if any of them were true-hearted or were they, like Lakis, placed in his company by Kassandros for a more sinister intent?

He collected his wits and started to walk away. Timon went after him and grasped him by the arm. "You...stay here!"

Iskander jerked his arm away and stared hard at the man. Deliberatly, in fastidious Greek, he said "Take your hand off of me or you will regret it!"

He limped back toward the copse where the ponies were tethered. Orion ran after him. "Are you alright, Iskander? You should have been better protected. I should have been there..."

"You were there," Iskander said. He glanced back toward the group of his companions and saw Lakis helping the guards truss up the dead boar. "You saved my life," he said, and put his arm around Orion's shoulders. They smiled at each other.

"Iskander and Orion. We are brothers," Orion said.

"Forever, I swear it," Iskander replied. "I know i can counton you."

They spoke together in their Macedonian tongue, something Timon did not allow. Orion laughed. "You should have seen Timon's face after you walked awy. He puffed up like an adder and fairly exploded."

"I hate him!" Iskander said.

Orion frowned. "Then we must find a way to get rid of him and that filghy toad, Lakis, who tried to kill you."

Sunday, April 04, 2010

I AM A BOOK



Have you ever wondered what it would be like to be a book? Well, this past week I had an opportunity to be one: a "book" in a "living library". When I was first invited to participate in this unusual all-day event, to be held at a local high-school, I was not only pleased to be asked but very curious as to what this would mean and what the exact concept was of the "living library". You know that saying "You don't always know a book by it's cover"? Well, this is kind of like that. It's a unique group participation developed in Denmark to break down prejudices and misconceptions about people. The 'books' in this 'library' have many different titles, just as people have many different roles in their lives. You might look at a book and say "I don't want to read about that. That's a boring/unpleasant subject". On the other hand, once you open the book and start to read it, you might find it is very interesting and intriguing and not at all what you'd first thought just by glancing at it's cover.

Every 'book' in this 'living library' had several titles, just as there are many various titles for books that might cover similar or the same subjects. Or some books might have several different stories within it's covers. It's the same with people. You never know the whole story until you have heard/read it. You'll be surprised at what's inside some of those 'books'.

The idea of the 'Living Library" began in Copenhagen, Denmark initiated by five young people after a mutual friend was stabbed in a brutal attack. These five kids wanted to do something to raise awareness and to use their peer group to educate them against violence. So a youth organization called "Stop the Violence" was formed. You can read more about it and the history of the ''human library" at http://www.humanlibrary.org

Moscropt Secondary School in Burnaby, BC. is the only high school in North America to offer the concept although a few colleges have tried it. You can read a blog about our experiences as 'books' in the "Living Library' at www.beyondthebeadedcurtains.blogspot.com

After participating, I would say that ALL high schools should think about offering this 'living library' opportunity to their students. It might break down a lot of barriers, open up possibilities and help to eliminate prejudices and misconceptions about people. It might
help stop bullying!

The people invited to be in the Living Library were asked to come to the Moscropt School a week before the event would take place so we could be briefed on what was going to happen and what was expected of us 'books'. We chose titles (there could be more than one) and later on, wrote those titles on a paper. Then we all went around and wrote our idea of what those books were about (what kind of people those books were.) It was quite surprising to see the results, some of them rather harsh. Those comments would be later put into paragraphs for 'bios' of the 'books' and circulated to the students who would be visiting the Living Library the following week.

My titles were: "Elder" "Travel and Historical Fiction Writer" and (here's the one that caught the kids' attention! "Wanna--be Crime and Investigative Journalist."
Other titles were: "Anti Capitalist Activist" ,"Adopted as a Child", "Young Adult Gay Male Survivor of a Brain Tumour" , Costume Designer/Former Figure Skater" "Omni Sexual/Drag Queen/Photographer: "Ex Gang Member/Ex prisoner/ Ex addict
/son of a KKK father" Big and Beautiful/ Formerly size 5 and bulimic", "Politician/MLA" "Person with a Disability" Gay Lawyer/Farmer/Figure Skater" "Plumber" (this was a single parent woman!) and many others. We were given tips about"what makes a good book" and "how to be a bestseller", how to initiate discussions with the 'readers' and the general protocol of being a 'book'.

On the day that the Living Library program took place, we met at 8.30 in the school Library and were given cardboard signs with our book titles and sat at tables where the kids would come to 'read' us,. The school classes took turns coming into the library and were escorted by volunteer students to whichever 'book' they wanted to 'read'. Usually there were two or three kids at a time, although occasionally only one student came and, in the case of the ex-gangster/addict/prisoner/son of a KKK father, he had swarms of kids around him all day long. And so did the gay books. You would never know to look at the 'books' who they were or had been so it was very interesting to hear the questions the kids asked and see their reactions. I think this is an excellent way of educating people about others who live very different life-styles and in this way it breaks down those prejudices and misconceptions.

My 'readers' were mainly interested in travel, where I'd been and good ideas for budget travel for students. A few were really interested in the writing aspect of my life and were kids who aspired to be writers too. I answered questions about 'voice' and 'setting details" One special coincidence happened when a young fellow said "I don't write but my grandfather does. He used to be a writer for the Vancouver Sun". It turned out that his grandfather was a reporter/BC history writer who I had great respect and admiration for when I was a copy runner at the Vancouver Sun newsroom back in the 1950's. Another young man, who is from Bangladesh, expressed an interest in visiting surfing beaches. I told him my grandson was a surfer who lived in California. This boy has never surfed but that is his dream, and part of the dream is to return to Bangladesh where there are some good surfing beaches. One of the volunteer students sat down with me at the end of the day and it turned out he was a Macedonian Greek from Thessaloniki. We had a vibrant chat about places both he and I love to visit such as Thassos Island. I thought that he was much like my Iskander in Shadow of the Lion -- not only with his intelligence and curiosity but his looks were what I visualize Iskander to have been like.

The entire day was an amazing experience and although I came home at the end of it feeling exhausted, I wouldn't have missed it for the world. I not only learned a lot about my 'readers' but I hope they learned something from 'reading' me as well.

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Saturday, March 27, 2010

WRITING IS WORK!

Don't kid yourself. Writing is work. And it can be very difficult work that requires a lot of concentration and skill. Some people think it's 'glamorous' to be a writer, believing that somehow novels are produced by osmosis or some kind of magical abrecadabra system. It's not true. Writing IS work.

It took me a long time to reach the point where I could say "I'm a full time writer", but that doesn't mean I just laze around home all day, playing at the computer, going on adventures, spinning tales. No. I really have to work at it if I want to make my writing 'pay'. Unfortunately this isn't as easy as a non-writer might think. For one thing, it's a big deal just trying to stay focused on what I'm supposed to be doing. There are countless distractions and I'm an expert at procrastinating or finding something more interesting to occupy my time. How many times a day does one need to check their e-mail or visit Facebook? That's just the beginning of all the numerous ways there are to avoid doing the 'work'.

In spite of teaching classes at which I go over the 'rules' of being a successful writer, I don't necessarily pay attention to them myself. Rome didn't get built in a day. Neither did a best selling novel.

Writing can be very discouraging work as well. If you are working on a novel, it can seem endless. Don't kid yourself into believing that a novel can be whipped up in a few months. It sometimes takes years! And don't think just because you have a good idea for a story that you'll be able to spin that story out in just a draft or two. Writing, rewriting, editing...it's endless!

Just to remind myself of the pitfall of writing, I will write down some of the basic 'rules' here and perhaps in doing so it will stimulate me to start paying attention to the task(s) at hand, because I have to do this in order to make any new headway on the novel (which is still not completely finished) and to also make time for the travel writing that I must do. As the travel writing (for Planet Eye Traveler and freelance markets) is one of my sources of income, this is very important. I also teach writing classes, another source of income that allows me the privilege of being a 'full time writer', but this also takes a lot of preparation. So it is most important to be organized and discipline. Someone recently wrote a statement that 'writing is 5% talent and 95% perseverance' Well, in the first place you need way more than 5% talent to write successfully otherwise it's a waste of your time. But you definitely need a lot of perseverance, maybe even 100%! Writing is not easy and it can be downright discouraging. So be be successful you must persevere.

What does it take to be a writer? Basic ability is not enough. You must observe these 5 D's: DESIRE, the desire to write that novel more than anything else! DRIVE: the drive to get started. DETERMINATION: the will to continue whatever the stumbling blocks and difficulties encountered along the way (there will be lots!); DISCIPLINE; The discipline to writer every day, whatever your mood; DEDICATION - to the project until the very last page is finished. At all costs, avoid this 6th "D" DISTRACTIONS: the enemy of all writers. And then there is the very important "C": COMMITMENT. When you start a project such as a novel, you must be committed if you want to finish the work. Sure, sometimes you need to take a break, do some other kind of writing, or tend to personal affairs, but if you are serious about your work you will come back to it refreshed and with new ideas that will help you COMPLETE your project.
This novel will be with you for a long time, so you better have thought about it beforehand. When it's ready to be written, you'[ll know. It will be with you day and night. You'll even dream about it. So, if you prefer painting, cooking or watching TV, forget it! Now, get busy and start WORKING!






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Thursday, March 04, 2010

DOES ANCIENT GREECE EXIST?

 


The first morning I arrived in Athens, Greece, in October 1979, I left the Tempi, my five-story walk-up hotel on Eolou Street and stepped out to the narrow cobbled roadway. I had no idea of my location, but when I looked up I saw at the end of the street, a high stone buttress and on top of it what I recognized as the Parthenon. I said to myself “Feet, just take me where you want to go!” and I started to walk.

I went down a block, past what is the ruins of Hadrian’s Library, turned right and kept on going down the narrow lanes until at last I was at the entrance to the ancient Agora. I stepped inside the gate, and stopped, transfixed. In that hot morning sun, what I saw the Agora exactly as it had been centuries ago. There were no ruins, just buildings and cobbled roadways and beyond it rising high against the blue Attic sky, the magnificent Acropolis crowned with it’s shining temples. I suddenly began to cry and could not stop. I knew then, that I had come ‘home’.

Some may say that ancient Greece does not exist. But I know it does. For that whole holiday I explored not only Athens, but other places nearby. And on future trips I would visit almost every important archaeological site in the country, as well as the beautiful islands with their golden sand and the brilliant blue Aegean Sea where once triremes and merchant ships plied their sea-routes.

If you have never been up on the Acopolis, seen the Parthenon bathed in the golden light of sunset, walked the shaded pine-scented groves of the Hill of Nymphs and stood on the Pnyx where the ancient Assembly met, you have not experienced the real Greece. Ancient Greece.

 


I have had many déjà-vu experienced in Greece such as that first one I had in the ancient agora of Athens. On my first visit to Delphi, traveling by bus with a Greek friend, we arrived at night and threw our sleeping bags down on the hillside, sleeping under a sky so clear and dazzling with stars you felt as if you might reach up and touch them. It was a full moon night, too. Totally magical.

In the morning I went to visit the sanctuary where for many centuries pilgrims came to consult the fabled Pythian in the Temple of Apollo. I, too, followed the rituals: first cleansing myself in the clean, pure waters of the Kastilian stream, then climbing back up the hill to enter the sacred ground. Even now the Greeks treat this site as sacred and demand respect from visitors. You feel the presence of the gods there, but you must see it on a day when there are not hordes of tourists. I have been many there many times. I make a pilgrimage to Delphi each time I visit Greece. And I know the gods do dwell there.

 


That first visit to Greece changed my life. A couple of years later, after several more visits, I decided to go and live there. It was a big decision because I had to leave a good job and my family behind. But I knew I must go. And I have never regretted it.

I lived in the Plaka, right below the east flank of the Acropolis in what was Athens ancient city. Every Sunday I climbed the steep marble steps up to the Parthenon and sat contemplating, absorbing the atmosphere and feeling the ancients around me.
This time I was on a quest to find Alexander, the invincible Macedonian hero of my teens, the one who I had written about since I was in high school and was once asked if I had really ‘been there and known him and his companions’ because I had such a strong connection with them. In my work-in-progress novel “Dragons in the Sky” which I began writing just before I went to live in Greece, I made that connection. A Celtic girl, acolyte of the Druids, who is kidnapped by a renegade chieftain’s son and finds herself in Macedonia at the time Alexander was recruiting warriors for his invasion of the East. I have channelled Olwen to tell her story. But if you believe in past lives, then perhaps I am really Olwen.

Several times I have walked the ruined streets of ancient Pella, visited Mieza, the school where Aristotle taught him and his friends, explored Dodoni, in Epiros, where Alexander’s mother had lived. And eventually, I even visited the Royal Tombs where the remains of his father and son were found in their tombs. That had to be one of my biggest thrills!

One of my most memorable trips was to the Sanctuary of the Great Gods in Samothraki where I walked alone down the highway through fields of yellow flowers where butterflies flitted in the sun. This Thracian Sanctuary of the Great Mother, one of the oldest in Greece, was visited by Greeks and slaves alike. And this is where Alexander’s father Philip met Olympias and later married. I have visited Samothraki twice and again felt the power of the ancient gods. On one occasion I visited the remains of the small Temple built to honour Alexander and Philip, and dedicated by Alexander’s brother Philip Arridaios and his little son Alexander IV who were named joint kings after Alexander’s death in Babylon 323BC

I have been to other sacred sites, too, including Dion near Mt. Olympus, and I’ve also many of the ancient theatres and had the thrill of seeing the ancient plays performed there. The archaeology and history of Greece is one of my passions.
When I started writing my novel “Shadow of the Lion” I became more and more involved in that ancient world and getting to know the characters from history who I am writing about. I have spent as much time as I can walking in those same places where they had walked, played, studied and lived their remarkable lives. To me, ancient Greece is very much alive and I would challenge anyone who says it is not, though perhaps these are the unlucky ones who have never had the privilege of seeing it for themselves.



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Tuesday, February 23, 2010

I BELIEVE: Going for the Gold.



Me and the Olympic Cauldron


“I Believe”, the theme song of the 2010 Winter Olympic Games keeps running through my head. Imagine Canada winning gold. Believe in and imagine all that you can achieve. Just IMAGINE and BELIEVE!

It's been a thrilling week so far. I've been caught up in the festivities and sports activities going on, writing one or two stories a day for Planet Eye Traveler. And still keeping up with my six classes a week. So there hasn't been any time now to work on Shadow of the Lion. You can read some of the stories at http://www.planeteyetraveler.com/travel/north-america/vancouver > or in the special edition City Guide http://guides.planeteye.com/vancouver

I've had a lot of fun braving the merry-making hordes of people who have flooded the city. I even had the luck to go to one of the medal award ceremonies, although I haven't actually been to any of the sports events. There's lots going on for free in the city and I've tried to cover as much of it as possible (without waiting in lineups for two or three hours!)

What has impressed me is the great Olympic spirit shown in the city, the hospitality and the feeling of extreme national pride. The colours are everywhere: Red and White, O Canada sung spontaneously in the midst of cheering crowds. But it's that song "I Believe" that stirs me every time I hear it. And the other Olympic slogan “Imagine!” And I imagine my novel, Shadow, being finished and published and winning a gold. I believe it is good enough!

I've occasionally, at random, looked back at pages I had written a long time ago, and felt a stir of deep emotion and wonderment. Did I really write that? It's great! And yes, I believe that when it is all finished, it will be great! Like the athletes, I’ve been ‘training’ for this moment, when Shadow of the Lion is complete and ready to be presented to the world. Yes, writers ‘train’ like athletes, practicing, rewriting, workshopping, striving for their personal best, just like athletes, imagining that they will achieve their goals. Believing!
At the end of this week, the 2010 Winter Olympics will be over and just a memory. Then I will go back and finish my novel. And I believe it will be a success. Yes! I'm going for the gold!

Saturday, January 30, 2010

PROGRESS REPORT #62: DI$TRACTION$


PICTURES OF CANADIAN OLYMPIC ATHLETES ON THE BAY STORE

Progress on my novel, Shadow of the Lion, has slowed down considerably over the past couple of weeks. This is because I was offered some extra work by Planet Eye http://www.planeteyetraveler.com/

in addition to the four stories I week in The Vancouver Guide.

www.planeteyetraveler.com/travel/north-america/vancouver

The 2010 Winter Olympics and Paralympic Games has created a hubub of activity in the city. Barricades have gone up on the venues, road closures, so much security you'd think we were living in a war zone, and downtown things are shaping up to a circus atmosphere. I have been invited to help compile a city guide for Vancouver during the Games with things like hotels and restaurants near the venues etc. In addition to compiling these lists (some I have started on already) I will have to post at least 1 item a day plus the four stories I post blog-style in The Vancouver Guide.

At first I was slightly overwhelmed when I assessed the amount of work I was getting myself into. But practicality told me "Writing is your work, and this is an additional 'job' -- with pay! So go for it!" As I stood there one evening clipping articles about events and venues from the newspaper I was immediately taken back to myself, age 19, working in the Vancouver Sun news library, clipping stories to file in the crime and biography files that I was in charge of. I've come full circle. Back then, I wanted to be a reporter. I ended up in the news library instead. But now, all these years later (still clipping newspapers) I am actually a 'roving reporter' snooping out news for The Vancouver Guide. And here's a whole new opportunity to add to my resume.

BARRICADE FENCES UP AROUND THE NEW CONVENTION CENTRE

Needless to say, I was not about to let this opportunity slip through my fingers. So I've had to put the novel on the back-burner for a couple of weeks. Meanwhile I am squeezing in a bit of time for editing and have the notes ready to write the next chapter segement. Then there will be just one chapter to complete plus work on the prologue and epilogue. I had thought I'd be finished by now, but practically speaking, I need to make money too. So I have accepted this new challenge.

I will be going around to as many venues I can get to, those will be the Free Live sites as I certainly can't afford to attend any of the sports events. I'd hoped they could get me an unacredited media pass but I don't think that's going to happen. So I'll just have to put on my Roving Reports cap and do as much snooping for news as I can. I've already figured out a list of stories I can write and pre-post for the Vancouver Guide. It's quite overwhelming when I think of all there is to do, but I gathered my wits and made an organized plan.

So keep an eye on The Vancouver Guide, and when the Vancouver Olympics City Guide is up on the site, I'll let you know. Let the Games begin!


THE OLYMPIC RINGS LIT UP IN THE HARBOUR


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Wednesday, January 13, 2010

PROGRESS REPORT 61: Sidetracked with Research and Other Tasks

THE RUINS OF AMPHIPOLIS FORTRESS

This is the fortress of Amphipolis where Roxana and Iskander are being held by Kassandros. I visited these ruins several years ago. It's high on a hill (which would have been the towns 'acropolis' hill. A river runs below, forking off around it and eventually reaches a lake. There would have been lots of marsh lands - the perfect spot for boar hunting. So I'm trying to set up a scene where Iskander, Orion and the boys with their Greek tutor go on a boar hunt.

It's been a busy week and I am falling slightly behind in my plan to complete SHADOW OF THE LION. However I have been jotting down notes (bits of dialogue and thoughts). And I had an interesting time researching for a scene I am writing when the boys go boar hunting. Rather than go through all my notes, I decided to check into You-Tube and see if there would happen to be anything about boar hunting there. It turned out, there were a lot of videos. Watching them answered all my questions, including the feasible age of boys who might indulge in such a dangerous sport. The youngest I ran across were 8 years old (including the kid in the photo and one who actually killed a boar with a knife! The kid was 8, the boar was about 200 pounds! Imagine that! So boys back in Macedon hunting with javelins, bows and arrows were not even in as close that that kid was!

By watching the films I was able to observe, make notes including the sounds of the hounds baying, the boars squealing and shrieking, the men shouting (or whispering as the stalked their prey). It was quite a visual experience and saved a lot of time looking through notes I'd made some time ago. I also googled about the Boar hunt though and jotted down a few more details, such as "dos" and "don'ts" which will be helpful when I flesh out that scene.

This week my classes started up and as it takes me a long trip there and back to each of them, eating up my time, I haven't had much time at the computer to write. Today was a 'free' day but as it was pouring rain and I needed to catch up on sleep, I didn't get up as early as usual and ran behind, but that's okay, I did achieve bits and pieces and will now spend a few hours making more notes so I can complete that last little chapter segment. Then, it will be the final chapter of the novel (part of which is written). So I am pacing myself, not rushing it. Did a bit of editing today on a previous chapter and trying to focus and get a fresh start on this next part.


A NASTY-LOOKING BEAST! VERY DANGEROUS!


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Friday, January 08, 2010

PROGRESS REPORT #60: RETRACING STEPS



LOOKING BACK AT MOUNT OLYMPUS

Sometimes when you get stuck and find you are blocked by that old writer's enemy 'Resistance', just simply looking back at where you've just come from, retracing your footsteps, will help you sort out where you are headed for. I've had to do that a number of times while writing SHADOW OF THE LION, and the other day when I got stuck, that's exactly what I did. Sometimes it means reviewing your research (I did that), reading back over previous chapters (I did that, too) and rechecking your plot outline (it's definitely a help to have a road map when you're on a journey!)

In my case I have often got baffled with the complexity of the politics I am dealing with as I am not a political science student and the ancient politics with all the plots and sub-plots and twists and turns is often very confusing. So I go 'back to the drawing board' so to speak, bring out my research notes, read through them again and again, until finally I clarify just what exactly went on and when.

One problem with the last bit I'd written was that I had thought it sounded too similar to a previous chapter segment I'd written in the point-of-view of Polyperchon. However, when I read back I realized this wasn't the case. So instead of having to scrap what I'd written for my first draft I was able to keep it and proceed.

Another small problem was figuring out the dialogue between the Macedonian generals. What would they say in this particular situation? How would they react? How would Polyperchon, in particular, react when given the bad news he is about to receive. All the way through my novel this has been a challenge -- to make the voices of the Macedonians sound genuine, like the voices of rough warriors and not my own. As far as I know, I think I've nailed it, but often I have to stop and look through other novels of the same period (written by men!) to see how they handle the dialogues.

Another thing that often stalls me is figuring out the time-lines of events and trying to be as true as possible. I've run into this before and decided that as this is not a history book it isn't really necessary to be 10o% accurate because what is really 'accurate' according to those ancient time-lines considering that the histories were written several hundreds of years after the fact and the calanders of measuring time then is different than now. I still like referring to the line I read by another author in the National Post
"A historical fiction writer can take any number of liberties with the facts." Since running into criticism earlier on about this. I have now adopted this as my mantra.

So, with all these steps taken, I looked forward to see where I am going, and I found it really easy to complete the chapter segment that had stalled me on the road to THE END. Now I am ready to proceed with the journey. I even found myself jotting down random notes last night so I have a clear start for the next scene There's one more chapter segment to write and then one more complete chapter to finish. Then a bit of work on the Prologue and Epilogue. (Some of this has already been written.) So I'm that much closer to the end of my journey.

(NOTE: Some of the characters, such as Polyperchon, continued on long after the end of my particular story so their future activities will be mentioned in the Afterword so readers will know what became of them. Some died or were murdered. Some faded into oblivion. Some went on to become successful and famous. Amazingly a lot of the generals lived to very old ages. They were indeed a hardy lot of characters!)



MOUNT OLYMPUS


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Wednesday, January 06, 2010

PROGRESS REPORT #59: A LITTLE BIT OF RESISTANCE

VARIOUS GREEK HELMETS

I seem to have hit a wall. Steven Pressfield calls it "Resistance". If you read back in my blogs I think he talks about this in the questions I asked him. It happens a lot with writers but I didn't want it to happen right now when I am so close to finishing! The main problem has been (besides the fact I have been quite busy with other things this week), I thought I had this next chapter segement figured out. I did all my handwritten notes but yesterday when I planned to sit down at the computer and get it all written, first I got struck by a bad stomach upset and it as difficult to concentrate on new writing when I had cramps. I eventually gave up although I did get a rough first draft done. Then I got thinking it over and realized I had begun this chapter segment much like one I had used a bit before so I probably needed to change my tactics, get a new setting for this scene. I've spent a lot of time thinking it over but the ideas are just not forthcoming. So tonight I sat down (after resisting even beginning!) and tried to write a few more notes. Usually when I am hand-writing the ideas a lot of new ideas come and I'll end up with whole paragraphs. Not this time! I am STUCK!
Should I skip over this just now and proceed with another scene? Or should I just relax, think about it and hope that a brilliant idea will come to mind so that I can carry on? Or...should I leave the chapter beginning just the way I have it and not worry about it being similar to a former chapter? Ah...decisions...all part of the resistance movement that can quickly undermine a writer's flow of thought and stymie the progress. I hate it when this happens!
Well, I have a couple of days coming up that are pretty free of any other distractions so perhaps I will just let it stew for awhile and hope to come up with something brilliant to get me out of the quagmire. Meanwhile, I am stubbornly stuck with Polyperchon as he awaits his bad news!




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Tuesday, January 05, 2010

PROGRESS REPORT #58: THE END OF THE ROAD

ALEXANDER (close up of the painting below)




Over the past week, in spite of the holidays and round of social events, I've managed to complete a couple more chapter segments weaving new threads together to complete the tapestry of SHADOW OF THE LION. There's still a little bit of work to do but not much. Loose ends are being tied up, no dropped stitches. I have a resolution to write a bit every day on the novel although I realize that some days (like today) other things occupy my time. (However it does count that tonight I workshopped one of the new segments of the novel in my writer's group and got some good ideas on what I need to edit or add to make it complete.) And tomorrow another characters will come to the end of his road (for now as he will appear again in the 'afterword'). Every characters who has been given a 'voice' in this novel has to be accounted for. That's one of the more complicated things about writing in multiple point-of-view. And each character that I have to say good-bye to is like bidding farewell to a friend or acquaintance.

As I come to the end of the road, the finale of a very long journey, perhaps some of my hesitation is the reluctance to return to the 'present' world, having spent so much time in the 'past'. Alexander and his family and Companions have been part of my life since I was sixteen years old. This novel, SHADOW OF THE LION, has consumed my life for the past twenty. It isn't that I have been with them constantly, because I did other writing within that time including writing and producing a play (THE STREET: A Modern Tragedy), writing another play, House of the Muses (about Sappho), and many travel articles which I've published. Some people have thought that this novel was my 'life's work' but I have other irons in the fire: As soon as SHADOW is finished, while I am working on the final edits I will resume writing my Celtic novel, DRAGONS IN THE SKY and hopefully rework the Sappho play. And then I have another idea for a novel.

But time is running short for me, being one of the elders, so it means concentrating on my writing career and disciplining myself to write (hopefully each day) so I can complete these other tasks.

Meanwhile, I will strive to put "the end" on Shadow in a very short time. (I'm running four days later than schedule already so it means focusing and devoting every bit of my next week to putting the finishing touches on it.)




ALEXANDER BATTLE DARIUS AT GUAGEMELA

(It was almost the end of the road for Darius. He ran for his life.)

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